Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz
Jazz is considered by many to be the quintessential form of American music. Some may even go as far as to call it “America’s classical music.” However, the black and white binary that pervades race relations in the United States has obscured the role of Latin American interpreters of jazz within it...
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| 出版年: | URI:https://journals.openedition.org/transposition, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Transposition
2021
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_5622 |
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openedition |
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openedition-oai:revues.org:transposition_5622 https://doi.org/10.4000/transposition.5622 urn:doi:10.4000/transposition.5622 en https://journals.openedition.org/transposition/5622 2021-04-20T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmgp https://creativecommons.org/licenses/by-sa/4.0/ Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz Jazz is considered by many to be the quintessential form of American music. Some may even go as far as to call it “America’s classical music.” However, the black and white binary that pervades race relations in the United States has obscured the role of Latin American interpreters of jazz within its nationalist rhetoric. Ken Burns’ Jazz, the ten-part PBS documentary series released in 2001, was a major cultural turning point in the United States. A moving tribute to the triumph of African Am... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Bimbiras, John |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Jazz is considered by many to be the quintessential form of American music. Some may even go as far as to call it “America’s classical music.” However, the black and white binary that pervades race relations in the United States has obscured the role of Latin American interpreters of jazz within its nationalist rhetoric. Ken Burns’ Jazz, the ten-part PBS documentary series released in 2001, was a major cultural turning point in the United States. A moving tribute to the triumph of African Am... |
| author |
Bimbiras, John |
| spellingShingle |
Bimbiras, John Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz |
| author_facet |
Bimbiras, John |
| author_sort |
Bimbiras, John |
| title |
Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz |
| title_short |
Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz |
| title_full |
Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz |
| title_fullStr |
Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz |
| title_full_unstemmed |
Jason Borge, Tropical Riffs: Latin America and the Politics of Jazz |
| title_sort |
jason borge, tropical riffs: latin america and the politics of jazz |
| publisher |
Transposition |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.5622 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/5622 |
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