Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde
Electronic Inspirations charts the development of the electronic music studio at the Westdeutscher Rundfunk (WDR) in Cologne, the central point around which elektronische Musik orbited for much of the 1950s and 1960s. This represents the first English-language monograph devoted to a studio that has...
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| Publicado no: | URI:https://journals.openedition.org/transposition, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Transposition
2021
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_5557 |
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openedition |
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openedition-oai:revues.org:transposition_5557 https://doi.org/10.4000/transposition.5557 urn:doi:10.4000/transposition.5557 en https://journals.openedition.org/transposition/5557 2021-04-20T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmgn https://creativecommons.org/licenses/by-sa/4.0/ Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde Electronic Inspirations charts the development of the electronic music studio at the Westdeutscher Rundfunk (WDR) in Cologne, the central point around which elektronische Musik orbited for much of the 1950s and 1960s. This represents the first English-language monograph devoted to a studio that has long been regarded as seminal in the history not only of post-war New Music, but also of popular musical forms. Rather than focussing her attention on proverbial great men and works, Iverson trace... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Ridout, Sam |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Electronic Inspirations charts the development of the electronic music studio at the Westdeutscher Rundfunk (WDR) in Cologne, the central point around which elektronische Musik orbited for much of the 1950s and 1960s. This represents the first English-language monograph devoted to a studio that has long been regarded as seminal in the history not only of post-war New Music, but also of popular musical forms. Rather than focussing her attention on proverbial great men and works, Iverson trace... |
| author |
Ridout, Sam |
| spellingShingle |
Ridout, Sam Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde |
| author_facet |
Ridout, Sam |
| author_sort |
Ridout, Sam |
| title |
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde |
| title_short |
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde |
| title_full |
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde |
| title_fullStr |
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde |
| title_full_unstemmed |
Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde |
| title_sort |
jennifer iverson, electronic inspirations: technologies of the cold war musical avant-garde |
| publisher |
Transposition |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.5557 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/5557 |
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