Sound, Music, War and Violence: Listening from the Archive
When the sonic remnants of violence and war survive in archives as being inscribed in such media as paper, it can be a challenge to engage with their aurality, all the more because subsequent audiovisual representations might overlay such embodied past experiences with different musical signifiers....
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| Xuất bản năm: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Transposition
2020
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| Những chủ đề: | |
| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:transposition_4310 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:transposition_4310 https://doi.org/10.4000/transposition.4310 urn:doi:10.4000/transposition.4310 en https://journals.openedition.org/transposition/4310 2020-03-19T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lmcq https://creativecommons.org/licenses/by-sa/4.0/ Sound, Music, War and Violence: Listening from the Archive Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Fauser, Annegret guerre musique écoute violence archives auralité historiographie musicale listening music war violence archives aurality musical historiography When the sonic remnants of violence and war survive in archives as being inscribed in such media as paper, it can be a challenge to engage with their aurality, all the more because subsequent audiovisual representations might overlay such embodied past experiences with different musical signifiers. Drawing on examples from the two world wars of the twentieth century, this contribution discusses which positionalities an author might embrace when listening to war and violence through the presence of music, sound, and silence in the archives. Lorsque les vestiges sonores de la violence et de la guerre survivent en étant archivés sur un support comme le papier, il peut être difficile d’accéder à leur dimension aurale. D’autant plus que des représentations audiovisuelles ultérieures peuvent venir recouvrir ces expériences autrefois incarnées en y superposant des signifiants musicaux différents. En s'appuyant sur des exemples issus des deux guerres mondiales du XXe siècle, cet article examine les perspectives que peut adopter un auteur pour se mettre à l’écoute de la guerre et de la violence en prêtant attention à la présence, au sein des archives, de la musique, du son et du silence. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
guerre musique écoute violence archives auralité historiographie musicale listening music war violence archives aurality musical historiography |
| spellingShingle |
guerre musique écoute violence archives auralité historiographie musicale listening music war violence archives aurality musical historiography Fauser, Annegret Sound, Music, War and Violence: Listening from the Archive |
| description |
When the sonic remnants of violence and war survive in archives as being inscribed in such media as paper, it can be a challenge to engage with their aurality, all the more because subsequent audiovisual representations might overlay such embodied past experiences with different musical signifiers. Drawing on examples from the two world wars of the twentieth century, this contribution discusses which positionalities an author might embrace when listening to war and violence through the presence of music, sound, and silence in the archives. |
| author |
Fauser, Annegret |
| author_facet |
Fauser, Annegret |
| author_sort |
Fauser, Annegret |
| title |
Sound, Music, War and Violence: Listening from the Archive |
| title_short |
Sound, Music, War and Violence: Listening from the Archive |
| title_full |
Sound, Music, War and Violence: Listening from the Archive |
| title_fullStr |
Sound, Music, War and Violence: Listening from the Archive |
| title_full_unstemmed |
Sound, Music, War and Violence: Listening from the Archive |
| title_sort |
sound, music, war and violence: listening from the archive |
| publisher |
Transposition |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.4310 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/4310 |
| _version_ |
1877294068256473088 |