Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust
This essay examines the depictions and interpretation of auditory experiences in a sample of Jewish diaries that were written in underground bunkers, earthen dugouts and cellars beneath urban centres in and around Warsaw and in the rural region of East Galicia in World War II. Concepts from musicolo...
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| I publikationen: | URI:https://journals.openedition.org/transposition, |
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| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
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Transposition
2020
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| Länkar: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_4205 |
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openedition |
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openedition-oai:revues.org:transposition_4205 https://doi.org/10.4000/transposition.4205 urn:doi:10.4000/transposition.4205 en https://journals.openedition.org/transposition/4205 2020-03-19T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lmco https://creativecommons.org/licenses/by-sa/4.0/ Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Hock, Nikita imagination Jews in hiding sound history aural architecture resilience survival Juifs cachés histoire sonore architecture sonore résilience survie imagination This essay examines the depictions and interpretation of auditory experiences in a sample of Jewish diaries that were written in underground bunkers, earthen dugouts and cellars beneath urban centres in and around Warsaw and in the rural region of East Galicia in World War II. Concepts from musicology and sound studies are applied to model the subterranean dugouts as instances of “aural architecture” set through with perforations channelling the flow of sound from the outside. This highlights and contextualizes important aspects of how Jews in East Galicia inhabited their shelters. In particular, it draws attention to various sound-related bodily techniques and to more complex practices, such as surveilling “the outside” and the adapted routines of homemaking that shaped daily life in these hiding places. The essay further posits an interrelationship between the acoustic conditions in the hideouts and the imaginative descriptions employed by the authors to describe their hideouts. Examining what the diarists could hear of the outside world, and how it sounded to them in their shelters, helps account for marked differences in how they made sense of their current life conditions. Depending on both the nature of the sounds that could be heard, and their penetration and spatial localization underground, the diarists interpret the confines of their hideouts by using metaphors variously underlining protection and social exclusion. Cet article s’intéresse aux expériences auditives décrites et interprétées dans des journaux intimes tenus lors de la Seconde Guerre mondiale par des Juifs réfugiés dans des bunkers souterrains, abris et caves situées sous les centres urbains de Varsovie et de ses alentours, ainsi que dans la région rurale de la Galice orientale. Des concepts de la musicologie et des sound studies permettent de caractériser ces abris comme des instances d’« architecture sonore », les flux sonores de l’extérieur étant canalisés par des conduits perforés. Cette étude met donc en lumière, et contextualise, des aspects importants de la façon dont les Juifs de Galicie orientale ont habité leurs abris. Une attention particulière est conférée à la variété de techniques corporelles relatives au son ainsi qu’à des pratiques plus complexes – surveiller « l’extérieur », adapter les routines quant aux façons d’habiter – façonnant la vie quotidienne dans ces lieux de dissimulation. L’article traite ensuite de l’interaction entre les conditions acoustiques dans les cachettes et les descriptions imaginatives qui sont faites de ces cachettes. En examinant ce que les auteurs des carnets pouvaient entendre du monde extérieur et la façon dont cela sonnait à leurs oreilles, il est alors possible de rendre compte de différences prononcés s’agissant du sens donné aux conditions de vie. Tributaires non seulement de la nature des sons qui pouvaient être entendus, mais aussi de leur pénétration et localisation dans le souterrain, ces auteurs donnent aux confins de leurs cachettes une interprétation usant de métaphores qui mettent variablement en lumière la protection et l’exclusion sociale. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
imagination Jews in hiding sound history aural architecture resilience survival Juifs cachés histoire sonore architecture sonore résilience survie imagination |
| spellingShingle |
imagination Jews in hiding sound history aural architecture resilience survival Juifs cachés histoire sonore architecture sonore résilience survie imagination Hock, Nikita Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust |
| description |
This essay examines the depictions and interpretation of auditory experiences in a sample of Jewish diaries that were written in underground bunkers, earthen dugouts and cellars beneath urban centres in and around Warsaw and in the rural region of East Galicia in World War II. Concepts from musicology and sound studies are applied to model the subterranean dugouts as instances of “aural architecture” set through with perforations channelling the flow of sound from the outside. This highlights and contextualizes important aspects of how Jews in East Galicia inhabited their shelters. In particular, it draws attention to various sound-related bodily techniques and to more complex practices, such as surveilling “the outside” and the adapted routines of homemaking that shaped daily life in these hiding places. The essay further posits an interrelationship between the acoustic conditions in the hideouts and the imaginative descriptions employed by the authors to describe their hideouts. Examining what the diarists could hear of the outside world, and how it sounded to them in their shelters, helps account for marked differences in how they made sense of their current life conditions. Depending on both the nature of the sounds that could be heard, and their penetration and spatial localization underground, the diarists interpret the confines of their hideouts by using metaphors variously underlining protection and social exclusion. |
| author |
Hock, Nikita |
| author_facet |
Hock, Nikita |
| author_sort |
Hock, Nikita |
| title |
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust |
| title_short |
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust |
| title_full |
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust |
| title_fullStr |
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust |
| title_full_unstemmed |
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust |
| title_sort |
making home, making sense: aural experiences of warsaw and east galician jews in subterranean shelters during the holocaust |
| publisher |
Transposition |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.4205 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/4205 |
| _version_ |
1877294068545880064 |