Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France
In Composing the Citizen, Jann Pasler presents a study on music as a “public utility” in Third Republic France. The author takes us on a journey through the institutional and ideological apparatus on which attempts to achieve social cohesion in that context were grounded, and explains how music hel...
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| Publicado no: | URI:https://journals.openedition.org/transposition, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Transposition
2013
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_308 |
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openedition |
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openedition-oai:revues.org:transposition_308 https://doi.org/10.4000/transposition.308 urn:doi:10.4000/transposition.308 en https://journals.openedition.org/transposition/308 2013-07-05T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmer https://creativecommons.org/licenses/by-sa/4.0/ Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France In Composing the Citizen, Jann Pasler presents a study on music as a “public utility” in Third Republic France. The author takes us on a journey through the institutional and ideological apparatus on which attempts to achieve social cohesion in that context were grounded, and explains how music helped to articulate and maintain it. The journey is a fascinating one, as it draws on a wide array of methodological approaches that range from urban anthropology and semiotics (focused on Paris), to... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Llano, Samuel |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In Composing the Citizen, Jann Pasler presents a study on music as a “public utility” in Third Republic France. The author takes us on a journey through the institutional and ideological apparatus on which attempts to achieve social cohesion in that context were grounded, and explains how music helped to articulate and maintain it. The journey is a fascinating one, as it draws on a wide array of methodological approaches that range from urban anthropology and semiotics (focused on Paris), to... |
| author |
Llano, Samuel |
| spellingShingle |
Llano, Samuel Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France |
| author_facet |
Llano, Samuel |
| author_sort |
Llano, Samuel |
| title |
Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France |
| title_short |
Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France |
| title_full |
Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France |
| title_fullStr |
Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France |
| title_full_unstemmed |
Jann Pasler, Composing the Citizen: Music as Public Utility in Third Republic France |
| title_sort |
jann pasler, composing the citizen: music as public utility in third republic france |
| publisher |
Transposition |
| publishDate |
2013 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.308 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/308 |
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