Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War
Rachel Moore’s Performing Propaganda: Musical Life and Culture in Paris during the First World War offers a persuasive and detailed account of how wartime propaganda shaped French musical institutions in Paris between 1914 and 1918. Through extensive archival research, read through the lens of theo...
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| الحاوية / القاعدة: | URI:https://journals.openedition.org/transposition, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Transposition
2019
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_3033 |
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openedition |
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openedition-oai:revues.org:transposition_3033 https://doi.org/10.4000/transposition.3033 urn:doi:10.4000/transposition.3033 en https://journals.openedition.org/transposition/3033 2019-11-04T01:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmga https://creativecommons.org/licenses/by-sa/4.0/ Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War Rachel Moore’s Performing Propaganda: Musical Life and Culture in Paris during the First World War offers a persuasive and detailed account of how wartime propaganda shaped French musical institutions in Paris between 1914 and 1918. Through extensive archival research, read through the lens of theories and histories of propaganda, Moore sheds new light on how concert series at home and abroad, major musical institutions like the Opéra and the Société des Concerts, and French musical publishi... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Rogers, Jillian |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Rachel Moore’s Performing Propaganda: Musical Life and Culture in Paris during the First World War offers a persuasive and detailed account of how wartime propaganda shaped French musical institutions in Paris between 1914 and 1918. Through extensive archival research, read through the lens of theories and histories of propaganda, Moore sheds new light on how concert series at home and abroad, major musical institutions like the Opéra and the Société des Concerts, and French musical publishi... |
| author |
Rogers, Jillian |
| spellingShingle |
Rogers, Jillian Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War |
| author_facet |
Rogers, Jillian |
| author_sort |
Rogers, Jillian |
| title |
Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War |
| title_short |
Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War |
| title_full |
Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War |
| title_fullStr |
Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War |
| title_full_unstemmed |
Rachel Moore, Performing Propaganda: Musical Life and Culture in Paris during the First World War |
| title_sort |
rachel moore, performing propaganda: musical life and culture in paris during the first world war |
| publisher |
Transposition |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.3033 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/3033 |
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