Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana
Academic interest in the musical life of fascist Italy has never been strong, even among Italians. Back in the 1980s, Richard Taruskin thought he could explain the uninspiring nature of the topic, as he saw it, by reference to the poor quality of twentieth-century Italian composition. He literally...
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| Argitaratua izan da: | URI:https://journals.openedition.org/transposition, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
Transposition
2019
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_2908 |
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openedition |
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openedition-oai:revues.org:transposition_2908 https://doi.org/10.4000/transposition.2908 urn:doi:10.4000/transposition.2908 en https://journals.openedition.org/transposition/2908 2019-11-04T01:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmg3 https://creativecommons.org/licenses/by-sa/4.0/ Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana Academic interest in the musical life of fascist Italy has never been strong, even among Italians. Back in the 1980s, Richard Taruskin thought he could explain the uninspiring nature of the topic, as he saw it, by reference to the poor quality of twentieth-century Italian composition. He literally did not know what he was talking about. How could he, when the music even of one of the most internationally successful Italian composers of the fascist ventennio, Alfredo Casella, remained largely... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Earle, Ben |
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OpenEdition Journal |
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Anglais |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
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Academic interest in the musical life of fascist Italy has never been strong, even among Italians. Back in the 1980s, Richard Taruskin thought he could explain the uninspiring nature of the topic, as he saw it, by reference to the poor quality of twentieth-century Italian composition. He literally did not know what he was talking about. How could he, when the music even of one of the most internationally successful Italian composers of the fascist ventennio, Alfredo Casella, remained largely... |
| author |
Earle, Ben |
| spellingShingle |
Earle, Ben Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana |
| author_facet |
Earle, Ben |
| author_sort |
Earle, Ben |
| title |
Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana |
| title_short |
Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana |
| title_full |
Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana |
| title_fullStr |
Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana |
| title_full_unstemmed |
Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana |
| title_sort |
camilla poesio, tutto è ritmo, tutto è swing. il jazz, il fascismo e la società italiana |
| publisher |
Transposition |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/transposition |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.2908 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/2908 |
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