Lisa Giombini, Musical Ontology: A Guide for the Perplexed
Musical ontology is one of most lively areas of research within analytic philosophy of music. It is an established academic branch in several regions of the English-speaking world, most notably Great Britain and the United States, and has gained increasing attention in continental Europe too over t...
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| الحاوية / القاعدة: | URI:https://journals.openedition.org/transposition, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Transposition
2018
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_2369 |
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openedition |
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openedition-oai:revues.org:transposition_2369 https://doi.org/10.4000/transposition.2369 urn:doi:10.4000/transposition.2369 en https://journals.openedition.org/transposition/2369 2018-10-15T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmie https://creativecommons.org/licenses/by-sa/4.0/ Lisa Giombini, Musical Ontology: A Guide for the Perplexed Musical ontology is one of most lively areas of research within analytic philosophy of music. It is an established academic branch in several regions of the English-speaking world, most notably Great Britain and the United States, and has gained increasing attention in continental Europe too over the past twenty years. In 2017, a dense volume entitled Musical Ontology: A Guide for the Perplexed has been devoted to the survey of the broad ontological debate on music by Mimesis International –... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Palazzetti, Nicolò |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Musical ontology is one of most lively areas of research within analytic philosophy of music. It is an established academic branch in several regions of the English-speaking world, most notably Great Britain and the United States, and has gained increasing attention in continental Europe too over the past twenty years. In 2017, a dense volume entitled Musical Ontology: A Guide for the Perplexed has been devoted to the survey of the broad ontological debate on music by Mimesis International –... |
| author |
Palazzetti, Nicolò |
| spellingShingle |
Palazzetti, Nicolò Lisa Giombini, Musical Ontology: A Guide for the Perplexed |
| author_facet |
Palazzetti, Nicolò |
| author_sort |
Palazzetti, Nicolò |
| title |
Lisa Giombini, Musical Ontology: A Guide for the Perplexed |
| title_short |
Lisa Giombini, Musical Ontology: A Guide for the Perplexed |
| title_full |
Lisa Giombini, Musical Ontology: A Guide for the Perplexed |
| title_fullStr |
Lisa Giombini, Musical Ontology: A Guide for the Perplexed |
| title_full_unstemmed |
Lisa Giombini, Musical Ontology: A Guide for the Perplexed |
| title_sort |
lisa giombini, musical ontology: a guide for the perplexed |
| publisher |
Transposition |
| publishDate |
2018 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.2369 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/2369 |
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