Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin
The Bolshevik revolution, as the Bolsheviks themselves recognized, could not last forever. For all the rhetoric about transformation, transfiguration, turning points, historic breaks, and the invention of a new world populated by new people, at a certain point a government needed to be formed – or...
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| Vydáno v: | URI:https://journals.openedition.org/transposition, |
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Transposition
2018
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openedition-oai:revues.org:transposition_2353 https://doi.org/10.4000/transposition.2353 urn:doi:10.4000/transposition.2353 en https://journals.openedition.org/transposition/2353 2018-10-15T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmid https://creativecommons.org/licenses/by-sa/4.0/ Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin The Bolshevik revolution, as the Bolsheviks themselves recognized, could not last forever. For all the rhetoric about transformation, transfiguration, turning points, historic breaks, and the invention of a new world populated by new people, at a certain point a government needed to be formed – or at least reformed from existing bureaucracies. Thus, the ministries of the past were repurposed as commissariats, with “state” institutions replacing “imperial” ones. Culture, too, needed to be rem... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Morrison, Simon |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The Bolshevik revolution, as the Bolsheviks themselves recognized, could not last forever. For all the rhetoric about transformation, transfiguration, turning points, historic breaks, and the invention of a new world populated by new people, at a certain point a government needed to be formed – or at least reformed from existing bureaucracies. Thus, the ministries of the past were repurposed as commissariats, with “state” institutions replacing “imperial” ones. Culture, too, needed to be rem... |
| author |
Morrison, Simon |
| spellingShingle |
Morrison, Simon Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin |
| author_facet |
Morrison, Simon |
| author_sort |
Morrison, Simon |
| title |
Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin |
| title_short |
Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin |
| title_full |
Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin |
| title_fullStr |
Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin |
| title_full_unstemmed |
Pauline Fairclough, Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin |
| title_sort |
pauline fairclough, classics for the masses: shaping soviet musical identity under lenin and stalin |
| publisher |
Transposition |
| publishDate |
2018 |
| container_title |
URI:https://journals.openedition.org/transposition |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.2353 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/2353 |
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