Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics
Although the title and the cover of Stalin’s Music Prize: Soviet Culture and Politics might suggest otherwise, make no mistake: this is not a book about Stalin. Although he remains an obsession in popular literature on Soviet music, scholars mostly use Stalin as a marketing gimmick. Yet, the cover...
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| Wydane w: | URI:https://journals.openedition.org/transposition, |
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| 1. autor: | |
| Format: | Article ou chapitre numérique |
| Język: | Anglais |
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Transposition
2018
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| Dostęp online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_2339 |
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openedition |
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openedition-oai:revues.org:transposition_2339 https://doi.org/10.4000/transposition.2339 urn:doi:10.4000/transposition.2339 en https://journals.openedition.org/transposition/2339 2018-10-15T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmic https://creativecommons.org/licenses/by-sa/4.0/ Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics Although the title and the cover of Stalin’s Music Prize: Soviet Culture and Politics might suggest otherwise, make no mistake: this is not a book about Stalin. Although he remains an obsession in popular literature on Soviet music, scholars mostly use Stalin as a marketing gimmick. Yet, the cover featuring Vitaly Komar and Alexander Melamid’s painting The Origins of Socialist Realism, combining Dadaist art with socialist realism, was not chosen haphazardly. Even if one of Marina Frolova-Wal... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Mikkonen, Simo |
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OpenEdition Journal |
| language |
Anglais |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Although the title and the cover of Stalin’s Music Prize: Soviet Culture and Politics might suggest otherwise, make no mistake: this is not a book about Stalin. Although he remains an obsession in popular literature on Soviet music, scholars mostly use Stalin as a marketing gimmick. Yet, the cover featuring Vitaly Komar and Alexander Melamid’s painting The Origins of Socialist Realism, combining Dadaist art with socialist realism, was not chosen haphazardly. Even if one of Marina Frolova-Wal... |
| author |
Mikkonen, Simo |
| spellingShingle |
Mikkonen, Simo Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics |
| author_facet |
Mikkonen, Simo |
| author_sort |
Mikkonen, Simo |
| title |
Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics |
| title_short |
Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics |
| title_full |
Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics |
| title_fullStr |
Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics |
| title_full_unstemmed |
Marina Frolova-Walker, Stalin’s Music Prize: Soviet Culture and Politics |
| title_sort |
marina frolova-walker, stalin’s music prize: soviet culture and politics |
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Transposition |
| publishDate |
2018 |
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URI:https://journals.openedition.org/transposition |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.2339 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/2339 |
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