Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature
Immediately upon opening this book, the reader confronts Peters’ disquieting claim that this is not a philosophical text on improvisation but instead is an improvisation. “[E]verything that follows,” he explains, “regardless of its appearance, is completely improvised, written each and every day fr...
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| Τόπος έκδοσης: | URI:https://journals.openedition.org/transposition, |
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| Κύριος συγγραφέας: | |
| Μορφή: | Article ou chapitre numérique |
| Γλώσσα: | Anglais |
| Έκδοση: |
Transposition
2018
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| Διαθέσιμο Online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_2155 |
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openedition |
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openedition-oai:revues.org:transposition_2155 https://doi.org/10.4000/transposition.2155 urn:doi:10.4000/transposition.2155 en https://journals.openedition.org/transposition/2155 2018-10-15T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmi5 https://creativecommons.org/licenses/by-sa/4.0/ Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature Immediately upon opening this book, the reader confronts Peters’ disquieting claim that this is not a philosophical text on improvisation but instead is an improvisation. “[E]verything that follows,” he explains, “regardless of its appearance, is completely improvised, written each and every day from scratch. Not from one chapter to the next (if only), not from one section to the next (I wish), but from one sentence, sometimes one word to the next” (p. vii). At this point it dawns upon the r... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Bresnahan , Aili |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Immediately upon opening this book, the reader confronts Peters’ disquieting claim that this is not a philosophical text on improvisation but instead is an improvisation. “[E]verything that follows,” he explains, “regardless of its appearance, is completely improvised, written each and every day from scratch. Not from one chapter to the next (if only), not from one section to the next (I wish), but from one sentence, sometimes one word to the next” (p. vii). At this point it dawns upon the r... |
| author |
Bresnahan , Aili |
| spellingShingle |
Bresnahan , Aili Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature |
| author_facet |
Bresnahan , Aili |
| author_sort |
Bresnahan , Aili |
| title |
Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature |
| title_short |
Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature |
| title_full |
Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature |
| title_fullStr |
Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature |
| title_full_unstemmed |
Gary Peters, Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature |
| title_sort |
gary peters, improvising improvisation: from out of philosophy, music, dance, and literature |
| publisher |
Transposition |
| publishDate |
2018 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.2155 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/2155 |
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