From Torrent to Stream

From Torrent to Stream

Music production in the 21st century shifted from a largely commodified industrial model to a radically decentralized one, technologically facilitated by new efficiencies in search of functionality, delivery, and peer-to-peer connectivity. In the older music economy, the media of music (its tangible...

Szczegółowa specyfikacja

Zapisane w:
Opis bibliograficzny
Wydane w:URI:https://journals.openedition.org/transposition,
1. autor: Scherzinger, Martin
Format: Article ou chapitre numérique
Język:Anglais
Wydane: Transposition 2017
Hasła przedmiotowe:
Digital Music
Music Industry
Streaming
Music Economy
Disintermediation
Immaterial Labor
Dostęp online:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:transposition_1632
record_format openedition
spelling openedition-oai:revues.org:transposition_1632 https://doi.org/10.4000/transposition.1632 urn:doi:10.4000/transposition.1632 en https://journals.openedition.org/transposition/1632 2017-03-31T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lmb9 https://creativecommons.org/licenses/by-sa/4.0/ From Torrent to Stream Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Scherzinger, Martin Digital Music Music Industry Streaming Music Economy Disintermediation Immaterial Labor Music production in the 21st century shifted from a largely commodified industrial model to a radically decentralized one, technologically facilitated by new efficiencies in search of functionality, delivery, and peer-to-peer connectivity. In the older music economy, the media of music (its tangible forms—vinyl, cassette, compact disc, etc.) were fused with its contents (its sounding forms—songs, pieces, etc.), thereby facilitating their efficient circulation as physical commodities (grounded in licensing agreements, copyright protections, and so on). In the newer economy, medium and content are increasingly delinked; the former is effectively dematerialized (or, more accurately, micro-materialized as virtualized format), thereby posing new challenges to law and policy governing musical creation, distribution, and consumption. In the context of music’s new technological prostheses (digital recording studios, on-demand streaming services, algorithmic aggregators, and the like) the question of equitable sources of revenue for musical labor has re-surfaced as a central debate in our times. The article assesses the promise of disintermediation in relation to new formations of labor, characterized by increased entrepreneurial reliance on flexible and globalized networks of production and distribution.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic Digital Music
Music Industry
Streaming
Music Economy
Disintermediation
Immaterial Labor
spellingShingle Digital Music
Music Industry
Streaming
Music Economy
Disintermediation
Immaterial Labor
Scherzinger, Martin
From Torrent to Stream
description Music production in the 21st century shifted from a largely commodified industrial model to a radically decentralized one, technologically facilitated by new efficiencies in search of functionality, delivery, and peer-to-peer connectivity. In the older music economy, the media of music (its tangible forms—vinyl, cassette, compact disc, etc.) were fused with its contents (its sounding forms—songs, pieces, etc.), thereby facilitating their efficient circulation as physical commodities (grounded in licensing agreements, copyright protections, and so on). In the newer economy, medium and content are increasingly delinked; the former is effectively dematerialized (or, more accurately, micro-materialized as virtualized format), thereby posing new challenges to law and policy governing musical creation, distribution, and consumption. In the context of music’s new technological prostheses (digital recording studios, on-demand streaming services, algorithmic aggregators, and the like) the question of equitable sources of revenue for musical labor has re-surfaced as a central debate in our times. The article assesses the promise of disintermediation in relation to new formations of labor, characterized by increased entrepreneurial reliance on flexible and globalized networks of production and distribution.
author Scherzinger, Martin
author_facet Scherzinger, Martin
author_sort Scherzinger, Martin
title From Torrent to Stream
title_short From Torrent to Stream
title_full From Torrent to Stream
title_fullStr From Torrent to Stream
title_full_unstemmed From Torrent to Stream
title_sort from torrent to stream
publisher Transposition
publishDate 2017
container_title URI:https://journals.openedition.org/transposition
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.1632
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/1632
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