Antoine Hennion, The Passion for Music: A Sociology of Mediation
Surprisingly, a long time has passed before an English version of this important book became available, as Howard Becker notes in the back cover review. The first edition was published more than twenty years ago (La Passion Musicale, 1993) and there are noticeable differences between the original a...
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| Publicado en: | URI:https://journals.openedition.org/transposition, |
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| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
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Transposition
2017
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_1473 |
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openedition-oai:revues.org:transposition_1473 https://doi.org/10.4000/transposition.1473 urn:doi:10.4000/transposition.1473 en https://journals.openedition.org/transposition/1473 2017-03-31T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmfr https://creativecommons.org/licenses/by-sa/4.0/ Antoine Hennion, The Passion for Music: A Sociology of Mediation Surprisingly, a long time has passed before an English version of this important book became available, as Howard Becker notes in the back cover review. The first edition was published more than twenty years ago (La Passion Musicale, 1993) and there are noticeable differences between the original account and this one, as the author points out in the Preface. First, the new version is more focused on the elaboration of a theory of mediation; second, it includes extra chapters drawn from other... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Santos Boia, Pedro |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Surprisingly, a long time has passed before an English version of this important book became available, as Howard Becker notes in the back cover review. The first edition was published more than twenty years ago (La Passion Musicale, 1993) and there are noticeable differences between the original account and this one, as the author points out in the Preface. First, the new version is more focused on the elaboration of a theory of mediation; second, it includes extra chapters drawn from other... |
| author |
Santos Boia, Pedro |
| spellingShingle |
Santos Boia, Pedro Antoine Hennion, The Passion for Music: A Sociology of Mediation |
| author_facet |
Santos Boia, Pedro |
| author_sort |
Santos Boia, Pedro |
| title |
Antoine Hennion, The Passion for Music: A Sociology of Mediation |
| title_short |
Antoine Hennion, The Passion for Music: A Sociology of Mediation |
| title_full |
Antoine Hennion, The Passion for Music: A Sociology of Mediation |
| title_fullStr |
Antoine Hennion, The Passion for Music: A Sociology of Mediation |
| title_full_unstemmed |
Antoine Hennion, The Passion for Music: A Sociology of Mediation |
| title_sort |
antoine hennion, the passion for music: a sociology of mediation |
| publisher |
Transposition |
| publishDate |
2017 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.1473 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/1473 |
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