Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality

Queerness in Pop Music is the tenth book in Routledge’s new Popular Music series, which explores the discipline at the intersection of gender, race, celebrity, fandom, tourism, fashion and technology. Passionate and vibrant, this book delights in detecting, then revealing the permanent tongue-in-ch...

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Publicado no:URI:https://journals.openedition.org/transposition,
Autor principal: Baker , Emily
Formato: Article ou chapitre numérique
Idioma:Anglais
Publicado em: Transposition 2017
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:transposition_1447 https://doi.org/10.4000/transposition.1447 urn:doi:10.4000/transposition.1447 en https://journals.openedition.org/transposition/1447 2017-03-31T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmfj https://creativecommons.org/licenses/by-sa/4.0/ Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality Queerness in Pop Music is the tenth book in Routledge’s new Popular Music series, which explores the discipline at the intersection of gender, race, celebrity, fandom, tourism, fashion and technology. Passionate and vibrant, this book delights in detecting, then revealing the permanent tongue-in-cheek of all things queer in pop music. Stan Hawkins’ contribution is gleeful, ambitious, smart and occasionally frustrating, which given the remit of the series, is absolutely as it should be! Hawki... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Baker , Emily
collection OpenEdition Journal
language Anglais
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description Queerness in Pop Music is the tenth book in Routledge’s new Popular Music series, which explores the discipline at the intersection of gender, race, celebrity, fandom, tourism, fashion and technology. Passionate and vibrant, this book delights in detecting, then revealing the permanent tongue-in-cheek of all things queer in pop music. Stan Hawkins’ contribution is gleeful, ambitious, smart and occasionally frustrating, which given the remit of the series, is absolutely as it should be! Hawki...
author Baker , Emily
spellingShingle Baker , Emily
Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
author_facet Baker , Emily
author_sort Baker , Emily
title Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
title_short Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
title_full Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
title_fullStr Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
title_full_unstemmed Stan Hawkins, Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
title_sort stan hawkins, queerness in pop music: aesthetics, gender norms, and temporality
publisher Transposition
publishDate 2017
container_title URI:https://journals.openedition.org/transposition
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.1447
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/1447
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