Mark Evan Bonds, Absolute Music: The History of an Idea
Like the concept of aesthetic autonomy, to which it is closely connected, the idea of absolute music has experienced a precipitous fall from grace over recent decades. While once it was regarded as the dominant paradigm within Western art music (or even as the ‘natural’ condition of music), contemp...
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| הוצא לאור ב: | URI:https://journals.openedition.org/transposition, |
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| מחבר ראשי: | |
| פורמט: | Article ou chapitre numérique |
| שפה: | Anglais |
| יצא לאור: |
Transposition
2017
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_1440 |
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openedition |
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openedition-oai:revues.org:transposition_1440 https://doi.org/10.4000/transposition.1440 urn:doi:10.4000/transposition.1440 en https://journals.openedition.org/transposition/1440 2017-03-31T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmfh https://creativecommons.org/licenses/by-sa/4.0/ Mark Evan Bonds, Absolute Music: The History of an Idea Like the concept of aesthetic autonomy, to which it is closely connected, the idea of absolute music has experienced a precipitous fall from grace over recent decades. While once it was regarded as the dominant paradigm within Western art music (or even as the ‘natural’ condition of music), contemporary critiques have knocked it off its pedestal, excoriating it for fostering an asocial, apolitical, acontextual viewpoint. Absolute music has not been entirely expunged from the aesthetic lexico... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Garratt, James |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Like the concept of aesthetic autonomy, to which it is closely connected, the idea of absolute music has experienced a precipitous fall from grace over recent decades. While once it was regarded as the dominant paradigm within Western art music (or even as the ‘natural’ condition of music), contemporary critiques have knocked it off its pedestal, excoriating it for fostering an asocial, apolitical, acontextual viewpoint. Absolute music has not been entirely expunged from the aesthetic lexico... |
| author |
Garratt, James |
| spellingShingle |
Garratt, James Mark Evan Bonds, Absolute Music: The History of an Idea |
| author_facet |
Garratt, James |
| author_sort |
Garratt, James |
| title |
Mark Evan Bonds, Absolute Music: The History of an Idea |
| title_short |
Mark Evan Bonds, Absolute Music: The History of an Idea |
| title_full |
Mark Evan Bonds, Absolute Music: The History of an Idea |
| title_fullStr |
Mark Evan Bonds, Absolute Music: The History of an Idea |
| title_full_unstemmed |
Mark Evan Bonds, Absolute Music: The History of an Idea |
| title_sort |
mark evan bonds, absolute music: the history of an idea |
| publisher |
Transposition |
| publishDate |
2017 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.1440 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/1440 |
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