Images of society: Identifying the ‘working girl’ as coding the public sphere

The Weimar Society’s imaginary seemed concerned with the street as the exterior, backdrop, and screen for its projections and reflections on itself. Whoever appeared in the street scene as a pedestrian became a representation of society. In the 1920s, one met veterans, workers, military personnel, p...

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Publicado en:URI:https://journals.openedition.org/trans,
Autor Principal: Biebl, Sabine
Formato: Article ou chapitre numérique
Idioma:Anglais
Publicado: TRANS- 2011
Acceso en liña:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:trans_294 https://doi.org/10.4000/trans.294 urn:doi:10.4000/trans.294 en https://journals.openedition.org/trans/294 2011-11-22T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/ljlh All rights reserved Images of society: Identifying the ‘working girl’ as coding the public sphere TRANS- Presses Sorbonne Nouvelle info:eu-repo/semantics/reference/issn/1778-3887 URI:https://journals.openedition.org/trans Biebl, Sabine The Weimar Society’s imaginary seemed concerned with the street as the exterior, backdrop, and screen for its projections and reflections on itself. Whoever appeared in the street scene as a pedestrian became a representation of society. In the 1920s, one met veterans, workers, military personnel, prostitutes, the unemployed, and the masses in the street. Around 1930, however, young female employees, the “working girls,” became an urban phenomenon and suddenly seemed to crowd the public sphere. This essay seeks to shed light on the changes in representations of the street scene that took place when working girls were added to it. Although the urban street around 1930 was a chaotic space, working girls appeared as an icon that affirms modernity without necessarily breaking with the past. This may have changed our perception of the public sphere.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description The Weimar Society’s imaginary seemed concerned with the street as the exterior, backdrop, and screen for its projections and reflections on itself. Whoever appeared in the street scene as a pedestrian became a representation of society. In the 1920s, one met veterans, workers, military personnel, prostitutes, the unemployed, and the masses in the street. Around 1930, however, young female employees, the “working girls,” became an urban phenomenon and suddenly seemed to crowd the public sphere. This essay seeks to shed light on the changes in representations of the street scene that took place when working girls were added to it. Although the urban street around 1930 was a chaotic space, working girls appeared as an icon that affirms modernity without necessarily breaking with the past. This may have changed our perception of the public sphere.
author Biebl, Sabine
spellingShingle Biebl, Sabine
Images of society: Identifying the ‘working girl’ as coding the public sphere
author_facet Biebl, Sabine
author_sort Biebl, Sabine
title Images of society: Identifying the ‘working girl’ as coding the public sphere
title_short Images of society: Identifying the ‘working girl’ as coding the public sphere
title_full Images of society: Identifying the ‘working girl’ as coding the public sphere
title_fullStr Images of society: Identifying the ‘working girl’ as coding the public sphere
title_full_unstemmed Images of society: Identifying the ‘working girl’ as coding the public sphere
title_sort images of society: identifying the ‘working girl’ as coding the public sphere
publisher TRANS-
publishDate 2011
container_title URI:https://journals.openedition.org/trans
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/trans.294
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/trans/294
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