Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs

The production of devotional reliefs, flourished in 15th century in Florence, where models from Renaissance Masters were reproduced in series by using a large variety of materials. One of the most frequently used is gypsum plaster, often referred to as “stucco” or “gesso”. Despite devotional reliefs...

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Asıl Yazarlar: Gariani, Gianluca, Beaugnon, Florian, Lehuédé, Patrice, Coquinot, Yvan, Galeotti, Monica, Gouillart, Emmanuelle, Wallez, Gilles, Goubard, Fabrice, Bouquillon, Anne, Bormand, Marc
Materyal Türü: Article ou chapitre numérique
Dil:Anglais
Baskı/Yayın Bilgisi: Technè 2021
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Online Erişim:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:techne_8809 https://doi.org/10.4000/techne.8809 urn:doi:10.4000/techne.8809 en https://journals.openedition.org/techne/8809 2021-12-16T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8kh https://creativecommons.org/licenses/by-nc-nd/4.0/ Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Gariani, Gianluca Beaugnon, Florian Lehuédé, Patrice Coquinot, Yvan Galeotti, Monica Gouillart, Emmanuelle Wallez, Gilles Goubard, Fabrice Bouquillon, Anne Bormand, Marc trace elements Florentine Masters devotional reliefs gypsum plaster technical study SµCT porosity Donatello Rossellino (Antonio) plâtre maîtres florentins reliefs de dévotion étude technique éléments-traces microtomographie porosité Donatello Rossellino (Antonio) The production of devotional reliefs, flourished in 15th century in Florence, where models from Renaissance Masters were reproduced in series by using a large variety of materials. One of the most frequently used is gypsum plaster, often referred to as “stucco” or “gesso”. Despite devotional reliefs wide diffusion, details concerning their constitutive materials and manufacture are insufficiently studied. In the framework of a research program fostered by the Louvre Museum, a multi-analytical approach was devised to investigate the composition and structure of micro samples obtained from a total of twenty-six representative artworks attributed to seven Florentine Masters. New evidence related to i) accessory minerals, ii) minor and trace elements, and iii) pores microstructure, disclosed important insights into the production of 15th century Florentine botteghe. These evidences, corroborated by the activity of some artists across Italy, raise new hypotheses on the attribution of some of these Madonne di gesso and their production outside Florence. La fabrication de reliefs de dévotion s’est développée au xve siècle à Florence, où les modèles des maîtres de la Renaissance étaient reproduits en série au moyen de matériaux très divers. L’un des plus courants était le plâtre de gypse, appelé stucco ou gesso. Malgré la large diffusion des reliefs de dévotion, l’étude de leurs matériaux constitutifs et de leurs techniques de mise en œuvre reste insuffisante. Dans le cadre du programme de recherche conduit en partenariat avec le musée du Louvre, une approche multi-analytique a pu être mise au point pour déterminer la composition et la structure de micro-échantillons prélevés sur un total de vingt-six œuvres dont les modèles sont attribués à sept maîtres florentins. L’évaluation des minéraux accessoires associés au gypse, la quantification des éléments chimiques présents en faibles quantités ou à l’état de traces, la caractérisation des microstructures et de la forme des pores permettent de mieux connaître la production des ateliers florentins du xve siècle. Corroborées par la connaissance de l’activité de certains artistes, elles conduisent aussi à proposer de nouvelles hypothèses sur l’attribution de certaines de ces Madonne di gesso et sur le lieu de leur production en dehors de Florence.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic trace elements
Florentine Masters
devotional reliefs
gypsum plaster
technical study
SµCT
porosity
Donatello
Rossellino (Antonio)
plâtre
maîtres florentins
reliefs de dévotion
étude technique
éléments-traces
microtomographie
porosité
Donatello
Rossellino (Antonio)
spellingShingle trace elements
Florentine Masters
devotional reliefs
gypsum plaster
technical study
SµCT
porosity
Donatello
Rossellino (Antonio)
plâtre
maîtres florentins
reliefs de dévotion
étude technique
éléments-traces
microtomographie
porosité
Donatello
Rossellino (Antonio)
Gariani, Gianluca
Beaugnon, Florian
Lehuédé, Patrice
Coquinot, Yvan
Galeotti, Monica
Gouillart, Emmanuelle
Wallez, Gilles
Goubard, Fabrice
Bouquillon, Anne
Bormand, Marc
Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
description The production of devotional reliefs, flourished in 15th century in Florence, where models from Renaissance Masters were reproduced in series by using a large variety of materials. One of the most frequently used is gypsum plaster, often referred to as “stucco” or “gesso”. Despite devotional reliefs wide diffusion, details concerning their constitutive materials and manufacture are insufficiently studied. In the framework of a research program fostered by the Louvre Museum, a multi-analytical approach was devised to investigate the composition and structure of micro samples obtained from a total of twenty-six representative artworks attributed to seven Florentine Masters. New evidence related to i) accessory minerals, ii) minor and trace elements, and iii) pores microstructure, disclosed important insights into the production of 15th century Florentine botteghe. These evidences, corroborated by the activity of some artists across Italy, raise new hypotheses on the attribution of some of these Madonne di gesso and their production outside Florence.
author Gariani, Gianluca
Beaugnon, Florian
Lehuédé, Patrice
Coquinot, Yvan
Galeotti, Monica
Gouillart, Emmanuelle
Wallez, Gilles
Goubard, Fabrice
Bouquillon, Anne
Bormand, Marc
author_facet Gariani, Gianluca
Beaugnon, Florian
Lehuédé, Patrice
Coquinot, Yvan
Galeotti, Monica
Gouillart, Emmanuelle
Wallez, Gilles
Goubard, Fabrice
Bouquillon, Anne
Bormand, Marc
author_sort Gariani, Gianluca
title Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
title_short Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
title_full Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
title_fullStr Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
title_full_unstemmed Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
title_sort multi-analytical approach for the compositional and micro-structural study of florentine masters stucco devotional reliefs
publisher Technè
publishDate 2021
container_title URI:https://journals.openedition.org/techne
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.8809
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/8809
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