Plaster sculpture between painting and architecture

Plaster played an important part in making sculpture available to wider society in Renaissance Italy. This article examines painters’ and sculptors’ uses of the material, and how these may have predisposed them towards the production of art works that were accessible beyond the social elites. It dis...

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Publicat a:URI:https://journals.openedition.org/techne,
Autor principal: Marchand, Eckart
Format: Article ou chapitre numérique
Idioma:Anglais
Publicat: Technè 2021
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Accés en línia:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:techne_8612
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spelling openedition-oai:revues.org:techne_8612 https://doi.org/10.4000/techne.8612 urn:doi:10.4000/techne.8612 en https://journals.openedition.org/techne/8612 2021-12-16T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8ke https://creativecommons.org/licenses/by-nc-nd/4.0/ Plaster sculpture between painting and architecture Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Marchand, Eckart moulages en plâtre de la Renaissance italienne Berti (Bartolomeo di Lorenzo) Squarcione (Francesco) Neri di Bicci Giovanni da Udine arts décoratifs dans l’Italie de la Renaissance reproduction en série Italian Renaissance plaster casts Berti (Bartolomeo di Lorenzo) Squarcione (Francesco) Neri di Bicci Giovanni da Udine decorative arts in Renaissance Italy multiplication Plaster played an important part in making sculpture available to wider society in Renaissance Italy. This article examines painters’ and sculptors’ uses of the material, and how these may have predisposed them towards the production of art works that were accessible beyond the social elites. It discusses the making, selling, and perception of the major types of works in plaster, including Virgin and Child reliefs, casts after works by others, and secular all’antica compositions. Plaster was not the only material in use for these types of work, but its versatility and widespread use in sculptors’ and painters’ workshops gave it a particularly important role in the production of affordable art works. The article moves on to consider briefly architectural stucco decoration, garden sculpture, and the use of plaster in the context of ephemeral architecture and sculpture. Le plâtre a notablement contribué à rendre la sculpture accessible à un plus large public dans l’Italie de la Renaissance. On verra ici en quoi l’utilisation du plâtre par différents peintres et sculpteurs les a peut-être prédisposés à réaliser des œuvres qui ne seraient plus réservées aux élites. Cet article examine la fabrication, la vente et la perception des principales catégories d’œuvres en plâtre, notamment les reliefs de Vierge et l’Enfant, les moulages d’après d’autres artistes et les compositions profanes all antica. Le plâtre n’était pas le seul matériau employé pour ces sortes d’ouvrages, mais sa polyvalence et son usage répandu dans les ateliers des sculpteurs et des peintres lui ont conféré une importance particulière dans la production d’œuvres abordables. Sont évoquées ensuite les décorations en stuc, les sculptures de jardin et les utilisations du plâtre dans les architectures et les sculptures éphémères.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic moulages en plâtre de la Renaissance italienne
Berti (Bartolomeo di Lorenzo)
Squarcione (Francesco)
Neri di Bicci
Giovanni da Udine
arts décoratifs dans l’Italie de la Renaissance
reproduction en série
Italian Renaissance plaster casts
Berti (Bartolomeo di Lorenzo)
Squarcione (Francesco)
Neri di Bicci
Giovanni da Udine
decorative arts in Renaissance Italy
multiplication
spellingShingle moulages en plâtre de la Renaissance italienne
Berti (Bartolomeo di Lorenzo)
Squarcione (Francesco)
Neri di Bicci
Giovanni da Udine
arts décoratifs dans l’Italie de la Renaissance
reproduction en série
Italian Renaissance plaster casts
Berti (Bartolomeo di Lorenzo)
Squarcione (Francesco)
Neri di Bicci
Giovanni da Udine
decorative arts in Renaissance Italy
multiplication
Marchand, Eckart
Plaster sculpture between painting and architecture
description Plaster played an important part in making sculpture available to wider society in Renaissance Italy. This article examines painters’ and sculptors’ uses of the material, and how these may have predisposed them towards the production of art works that were accessible beyond the social elites. It discusses the making, selling, and perception of the major types of works in plaster, including Virgin and Child reliefs, casts after works by others, and secular all’antica compositions. Plaster was not the only material in use for these types of work, but its versatility and widespread use in sculptors’ and painters’ workshops gave it a particularly important role in the production of affordable art works. The article moves on to consider briefly architectural stucco decoration, garden sculpture, and the use of plaster in the context of ephemeral architecture and sculpture.
author Marchand, Eckart
author_facet Marchand, Eckart
author_sort Marchand, Eckart
title Plaster sculpture between painting and architecture
title_short Plaster sculpture between painting and architecture
title_full Plaster sculpture between painting and architecture
title_fullStr Plaster sculpture between painting and architecture
title_full_unstemmed Plaster sculpture between painting and architecture
title_sort plaster sculpture between painting and architecture
publisher Technè
publishDate 2021
container_title URI:https://journals.openedition.org/techne
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.8612
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/8612
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