An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello

The objective of this research was to create a comparative database comprising findings from the London and Paris Battle’s with those that are currently being obtained from the research on the Uffizi painting. With experts from the Scientific Departments of the two Museums we made a comparative stud...

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Dans:URI:https://journals.openedition.org/techne,
Auteur principal: Vervat, Muriel
Format: Article ou chapitre numérique
Langue:Anglais
Publié: Technè 2019
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Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:techne_839 https://doi.org/10.4000/techne.839 urn:doi:10.4000/techne.839 en https://journals.openedition.org/techne/839 2019-12-19T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8g1 https://creativecommons.org/licenses/by-nc-nd/4.0/ An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Vervat, Muriel fluorescence des rayons X (FRX) intercomparaison d’archives scientifiques radiographie X fluorescence d’ultraviolets réflectographie en infrarouge (RIR) photographie infrarouge en fausse couleur imagerie diagnostique par photographie numérique à haute résolution photographie en lumière visible rasante spectroscopie de réflexion à fibre optique (SRFO) X-ray radiography scientific archives intercomparison UV fluorescence IR reflectography IR false colour photography X-ray fluorescence analysis (XRF) Diagnostic imaging techniques with high resolution digital photography visible raking light photography fibre optic reflectance spectroscopy (FORS) The objective of this research was to create a comparative database comprising findings from the London and Paris Battle’s with those that are currently being obtained from the research on the Uffizi painting. With experts from the Scientific Departments of the two Museums we made a comparative study of the silver-leaf usage and decoration techniques, and study the nature of the decorative organic layers present on the surface of metal leaf, from the perspective of technical art history and as a possible tool for cleaning options of the Uffizi panel. Cette recherche avait pour objectif d’élaborer une base de données comparatives sur les panneaux de La Bataille de San Romano conservés au Louvre, à la National Gallery et à la galerie des Offices, où l’œuvre est en cours d’examen. Avec des spécialistes des laboratoires du Louvre et de la National Gallery, nous avons effectué une étude comparée de l’utilisation de la feuille d’argent et des techniques de décoration. Nous avons analysé la nature des couches organiques présentes à la surface de la feuille métallique, à la fois du point de vue de l’histoire technique de l’art et afin de guider éventuellement le choix des procédés de nettoyage pour le panneau des Offices.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic fluorescence des rayons X (FRX)
intercomparaison d’archives scientifiques
radiographie X
fluorescence d’ultraviolets
réflectographie en infrarouge (RIR)
photographie infrarouge en fausse couleur
imagerie diagnostique par photographie numérique à haute résolution
photographie en lumière visible rasante
spectroscopie de réflexion à fibre optique (SRFO)
X-ray radiography
scientific archives intercomparison
UV fluorescence
IR reflectography
IR false colour photography
X-ray fluorescence analysis (XRF) Diagnostic imaging techniques with high resolution digital photography
visible raking light photography
fibre optic reflectance spectroscopy (FORS)
spellingShingle fluorescence des rayons X (FRX)
intercomparaison d’archives scientifiques
radiographie X
fluorescence d’ultraviolets
réflectographie en infrarouge (RIR)
photographie infrarouge en fausse couleur
imagerie diagnostique par photographie numérique à haute résolution
photographie en lumière visible rasante
spectroscopie de réflexion à fibre optique (SRFO)
X-ray radiography
scientific archives intercomparison
UV fluorescence
IR reflectography
IR false colour photography
X-ray fluorescence analysis (XRF) Diagnostic imaging techniques with high resolution digital photography
visible raking light photography
fibre optic reflectance spectroscopy (FORS)
Vervat, Muriel
An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
description The objective of this research was to create a comparative database comprising findings from the London and Paris Battle’s with those that are currently being obtained from the research on the Uffizi painting. With experts from the Scientific Departments of the two Museums we made a comparative study of the silver-leaf usage and decoration techniques, and study the nature of the decorative organic layers present on the surface of metal leaf, from the perspective of technical art history and as a possible tool for cleaning options of the Uffizi panel.
author Vervat, Muriel
author_facet Vervat, Muriel
author_sort Vervat, Muriel
title An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
title_short An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
title_full An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
title_fullStr An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
title_full_unstemmed An ARCHLAB project: researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
title_sort archlab project: researches on the painting technique of the three panels of the battle of san romano by paolo uccello
publisher Technè
publishDate 2019
container_title URI:https://journals.openedition.org/techne
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.839
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/839
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