The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”

Within the framework of the research and restoration project “Jean-Pierre Latz” of the Museum of Decorative Arts (Staatliche Kunstsammlungen Dresden), three clocks and their corresponding pedestals, all of the same model – the so-called pendules aux biches – were extensively analyzed in terms of con...

Deskribapen osoa

Gorde:
Xehetasun bibliografikoak
Argitaratua izan da:URI:https://journals.openedition.org/techne,
Egile Nagusiak: Ernek-van der Goes, Christiane, Engelhardt, Clara von, Dornacher, Frank, Oertel, Silvia
Formatua: Article ou chapitre numérique
Hizkuntza:Anglais
Argitaratua: Technè 2021
Gaiak:
Sarrera elektronikoa:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:techne_5456
record_format openedition
spelling openedition-oai:revues.org:techne_5456 https://doi.org/10.4000/techne.5456 urn:doi:10.4000/techne.5456 en https://journals.openedition.org/techne/5456 2021-01-14T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8j2 https://creativecommons.org/licenses/by-nc-nd/4.0/ The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Ernek-van der Goes, Christiane Engelhardt, Clara von Dornacher, Frank Oertel, Silvia Latz (Jean-Pierre) Dresden multiple molding/model repetition alterations different production types Diana biches BVRB I (Bernard I Van Risamburgh) Dresde multiples séries répétition de modèle modifications modes de fabrication Diane biches Jean-Pierre Latz BVRB I (Bernard I Van Risamburgh) Within the framework of the research and restoration project “Jean-Pierre Latz” of the Museum of Decorative Arts (Staatliche Kunstsammlungen Dresden), three clocks and their corresponding pedestals, all of the same model – the so-called pendules aux biches – were extensively analyzed in terms of construction, marquetry and mounts. The analyses showed that the three ensembles, all of which are traceable in Saxony without a gap since 1768, exhibit significant differences with respect to their construction, the design of the marquetry and its execution, as well as to the processing of the mounts. These varied features enable the distinction of two production types that may suggest their manufacturing in two different workshops. Dans le cadre du projet de recherche et de restauration « Jean-Pierre Latz » conduit par le Staatliche Kunstsammlungen de Dresde, trois pendules de même modèle, dites « pendules aux biches », ainsi que leurs piédestaux ont fait l’objet d’un examen complet portant sur la construction, la marqueterie et les montures. L’examen a révélé que les trois exemplaires, tous attestés en Saxe depuis 1768 sans interruption, présentent des différences notables dans le bâti, dans la conception de la marqueterie et son exécution, ainsi que dans le traitement des bronzes. Ces variations permettent de distinguer deux modes de fabrication qui pourraient correspondre à deux ateliers distincts.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic Latz (Jean-Pierre)
Dresden
multiple molding/model repetition
alterations
different production types
Diana
biches
BVRB I (Bernard I Van Risamburgh)
Dresde
multiples
séries
répétition de modèle
modifications
modes de fabrication
Diane
biches
Jean-Pierre Latz
BVRB I (Bernard I Van Risamburgh)
spellingShingle Latz (Jean-Pierre)
Dresden
multiple molding/model repetition
alterations
different production types
Diana
biches
BVRB I (Bernard I Van Risamburgh)
Dresde
multiples
séries
répétition de modèle
modifications
modes de fabrication
Diane
biches
Jean-Pierre Latz
BVRB I (Bernard I Van Risamburgh)
Ernek-van der Goes, Christiane
Engelhardt, Clara von
Dornacher, Frank
Oertel, Silvia
The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”
description Within the framework of the research and restoration project “Jean-Pierre Latz” of the Museum of Decorative Arts (Staatliche Kunstsammlungen Dresden), three clocks and their corresponding pedestals, all of the same model – the so-called pendules aux biches – were extensively analyzed in terms of construction, marquetry and mounts. The analyses showed that the three ensembles, all of which are traceable in Saxony without a gap since 1768, exhibit significant differences with respect to their construction, the design of the marquetry and its execution, as well as to the processing of the mounts. These varied features enable the distinction of two production types that may suggest their manufacturing in two different workshops.
author Ernek-van der Goes, Christiane
Engelhardt, Clara von
Dornacher, Frank
Oertel, Silvia
author_facet Ernek-van der Goes, Christiane
Engelhardt, Clara von
Dornacher, Frank
Oertel, Silvia
author_sort Ernek-van der Goes, Christiane
title The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”
title_short The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”
title_full The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”
title_fullStr The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”
title_full_unstemmed The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”
title_sort three pendules aux biches in the collection of the kunstgewerbemuseum dresden. workshop-report of the research and conservation project “jean-pierre latz”
publisher Technè
publishDate 2021
container_title URI:https://journals.openedition.org/techne
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.5456
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/5456
_version_ 1877293753967837184