The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz”
Within the framework of the research and restoration project “Jean-Pierre Latz” of the Museum of Decorative Arts (Staatliche Kunstsammlungen Dresden), three clocks and their corresponding pedestals, all of the same model – the so-called pendules aux biches – were extensively analyzed in terms of con...
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| Argitaratua izan da: | URI:https://journals.openedition.org/techne, |
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| Egile Nagusiak: | , , , |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
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Technè
2021
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:techne_5456 |
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openedition |
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openedition-oai:revues.org:techne_5456 https://doi.org/10.4000/techne.5456 urn:doi:10.4000/techne.5456 en https://journals.openedition.org/techne/5456 2021-01-14T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8j2 https://creativecommons.org/licenses/by-nc-nd/4.0/ The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Ernek-van der Goes, Christiane Engelhardt, Clara von Dornacher, Frank Oertel, Silvia Latz (Jean-Pierre) Dresden multiple molding/model repetition alterations different production types Diana biches BVRB I (Bernard I Van Risamburgh) Dresde multiples séries répétition de modèle modifications modes de fabrication Diane biches Jean-Pierre Latz BVRB I (Bernard I Van Risamburgh) Within the framework of the research and restoration project “Jean-Pierre Latz” of the Museum of Decorative Arts (Staatliche Kunstsammlungen Dresden), three clocks and their corresponding pedestals, all of the same model – the so-called pendules aux biches – were extensively analyzed in terms of construction, marquetry and mounts. The analyses showed that the three ensembles, all of which are traceable in Saxony without a gap since 1768, exhibit significant differences with respect to their construction, the design of the marquetry and its execution, as well as to the processing of the mounts. These varied features enable the distinction of two production types that may suggest their manufacturing in two different workshops. Dans le cadre du projet de recherche et de restauration « Jean-Pierre Latz » conduit par le Staatliche Kunstsammlungen de Dresde, trois pendules de même modèle, dites « pendules aux biches », ainsi que leurs piédestaux ont fait l’objet d’un examen complet portant sur la construction, la marqueterie et les montures. L’examen a révélé que les trois exemplaires, tous attestés en Saxe depuis 1768 sans interruption, présentent des différences notables dans le bâti, dans la conception de la marqueterie et son exécution, ainsi que dans le traitement des bronzes. Ces variations permettent de distinguer deux modes de fabrication qui pourraient correspondre à deux ateliers distincts. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Latz (Jean-Pierre) Dresden multiple molding/model repetition alterations different production types Diana biches BVRB I (Bernard I Van Risamburgh) Dresde multiples séries répétition de modèle modifications modes de fabrication Diane biches Jean-Pierre Latz BVRB I (Bernard I Van Risamburgh) |
| spellingShingle |
Latz (Jean-Pierre) Dresden multiple molding/model repetition alterations different production types Diana biches BVRB I (Bernard I Van Risamburgh) Dresde multiples séries répétition de modèle modifications modes de fabrication Diane biches Jean-Pierre Latz BVRB I (Bernard I Van Risamburgh) Ernek-van der Goes, Christiane Engelhardt, Clara von Dornacher, Frank Oertel, Silvia The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” |
| description |
Within the framework of the research and restoration project “Jean-Pierre Latz” of the Museum of Decorative Arts (Staatliche Kunstsammlungen Dresden), three clocks and their corresponding pedestals, all of the same model – the so-called pendules aux biches – were extensively analyzed in terms of construction, marquetry and mounts. The analyses showed that the three ensembles, all of which are traceable in Saxony without a gap since 1768, exhibit significant differences with respect to their construction, the design of the marquetry and its execution, as well as to the processing of the mounts. These varied features enable the distinction of two production types that may suggest their manufacturing in two different workshops. |
| author |
Ernek-van der Goes, Christiane Engelhardt, Clara von Dornacher, Frank Oertel, Silvia |
| author_facet |
Ernek-van der Goes, Christiane Engelhardt, Clara von Dornacher, Frank Oertel, Silvia |
| author_sort |
Ernek-van der Goes, Christiane |
| title |
The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” |
| title_short |
The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” |
| title_full |
The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” |
| title_fullStr |
The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” |
| title_full_unstemmed |
The three pendules aux biches in the collection of the Kunstgewerbemuseum Dresden. Workshop-report of the research and conservation project “Jean-Pierre Latz” |
| title_sort |
three pendules aux biches in the collection of the kunstgewerbemuseum dresden. workshop-report of the research and conservation project “jean-pierre latz” |
| publisher |
Technè |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/techne |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.5456 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/5456 |
| _version_ |
1877293753967837184 |