Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison
In 1990, the Rijksmuseum acquired a splendid 17th-century French cabinet on stand. Initially regarded as belonging to the late oeuvre of Pierre Gole, this opinion was revised after a comparison with cabinets attributed to André-Charles Boulle in the Wallace Collection, the Getty Museum and in the co...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/techne, |
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| প্রধান লেখক: | , |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
Technè
2021
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:techne_5356 |
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openedition |
| spelling |
openedition-oai:revues.org:techne_5356 https://doi.org/10.4000/techne.5356 urn:doi:10.4000/techne.5356 en https://journals.openedition.org/techne/5356 2021-01-14T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8j1 https://creativecommons.org/licenses/by-nc-nd/4.0/ Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Duin, Paul van Dorscheid, Jan Gole peinture en bois marqueterie florale marqueterie de bois ormoulu garnitures bâti esthétique histoire technique de l’art Gole painting in wood floral marquetry wood marquetry ormolu mounts construction design technical art history In 1990, the Rijksmuseum acquired a splendid 17th-century French cabinet on stand. Initially regarded as belonging to the late oeuvre of Pierre Gole, this opinion was revised after a comparison with cabinets attributed to André-Charles Boulle in the Wallace Collection, the Getty Museum and in the collection of the Duke of Buccleuch at Drumlanrig. Recent technical studies of the cabinets of the J. Paul Getty Museum and the Wallace Collection allowed a more detailed comparison of their construction and design, execution and choice of materials of the marquetry. The comparison shows a clear and rapid development in the sophistication and refinement of this late 17th-century French marquetry furniture. This article aims to illustrate this and to define elements that are characteristic for the work of Boulle. En 1990, le Rijksmuseum a acquis un splendide cabinet sur piètement français du xviie siècle, considéré à l’époque comme une œuvre tardive de Pierre Gole. Cette opinion a dû être révisée après une comparaison avec des cabinets attribués à André-Charles Boulle, conservés respectivement à la Wallace Collection, au J. Paul Getty Museum et dans la collection du duc de Buccleuch au château de Drumlanrig. Un examen technique récent des exemplaires du musée Getty et de la collection Wallace a permis une comparaison plus fine portant sur le bâti, l’esthétique, la facture et les matériaux utilisés pour la marqueterie. Ces observations font apparaître une augmentation rapide du degré de raffinement de ce mobilier en marqueterie français de la fin du xviie siècle. C’est ce que nous montrons ici en essayant d’énumérer les éléments caractéristiques des œuvres de Boulle. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Gole peinture en bois marqueterie florale marqueterie de bois ormoulu garnitures bâti esthétique histoire technique de l’art Gole painting in wood floral marquetry wood marquetry ormolu mounts construction design technical art history |
| spellingShingle |
Gole peinture en bois marqueterie florale marqueterie de bois ormoulu garnitures bâti esthétique histoire technique de l’art Gole painting in wood floral marquetry wood marquetry ormolu mounts construction design technical art history Duin, Paul van Dorscheid, Jan Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison |
| description |
In 1990, the Rijksmuseum acquired a splendid 17th-century French cabinet on stand. Initially regarded as belonging to the late oeuvre of Pierre Gole, this opinion was revised after a comparison with cabinets attributed to André-Charles Boulle in the Wallace Collection, the Getty Museum and in the collection of the Duke of Buccleuch at Drumlanrig. Recent technical studies of the cabinets of the J. Paul Getty Museum and the Wallace Collection allowed a more detailed comparison of their construction and design, execution and choice of materials of the marquetry. The comparison shows a clear and rapid development in the sophistication and refinement of this late 17th-century French marquetry furniture. This article aims to illustrate this and to define elements that are characteristic for the work of Boulle. |
| author |
Duin, Paul van Dorscheid, Jan |
| author_facet |
Duin, Paul van Dorscheid, Jan |
| author_sort |
Duin, Paul van |
| title |
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison |
| title_short |
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison |
| title_full |
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison |
| title_fullStr |
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison |
| title_full_unstemmed |
Floral wood marquetry cabinets attributed to André-Charles Boulle – A technical comparison |
| title_sort |
floral wood marquetry cabinets attributed to andré-charles boulle – a technical comparison |
| publisher |
Technè |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/techne |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.5356 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/5356 |
| _version_ |
1877293753966788608 |