“Reconstruction” of the polychromy of ancient sculpture: a necessary evil?
The contribution offers an overview of the history of reconstructions and their use, with a representative selection of formats and their contexts, from the beginnings in the early 19th century to the present. The polychromy of ancient architecture is dealt with only to a limited degree.The point of...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/techne, |
|---|---|
| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
Technè
2020
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:techne_2656 |
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openedition |
| spelling |
openedition-oai:revues.org:techne_2656 https://doi.org/10.4000/techne.2656 urn:doi:10.4000/techne.2656 en https://journals.openedition.org/techne/2656 2020-09-10T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8hx https://creativecommons.org/licenses/by-nc-nd/4.0/ “Reconstruction” of the polychromy of ancient sculpture: a necessary evil? Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Østergaard, Jan Stubbe peinture polychromie restitution 3D couleurs sculpture grecque et romaine archéologie expérimentale 2D painting polychromy 3D colours Greek and Roman sculpture reconstructions experimental archaeology 2D The contribution offers an overview of the history of reconstructions and their use, with a representative selection of formats and their contexts, from the beginnings in the early 19th century to the present. The polychromy of ancient architecture is dealt with only to a limited degree.The point of departure is a perceived need of establishing an informed and critical discussion of the whys and wherefores of reconstructions. On the background of the investigative technologies which have been developed with unprecedented rapidity, a methodological protocol allowing cross-checks of data is recommended. Cet article présente un bref historique des restitutions et de leur utilisation, avec un choix représentatif des méthodes et de leurs contextes, depuis les prémices au début du xixe siècle jusqu’à aujourd’hui. Il examine dans une certaine mesure la polychromie des architectures antiques. Le point de départ était la nécessité d’instaurer un débat sérieux et critique sur les fins et les moyens de la restitution. À une époque où les techniques d’investigation se développent avec une rapidité sans précédent, il est recommandé d’adopter un protocole prévoyant un recoupement des données. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
peinture polychromie restitution 3D couleurs sculpture grecque et romaine archéologie expérimentale 2D painting polychromy 3D colours Greek and Roman sculpture reconstructions experimental archaeology 2D |
| spellingShingle |
peinture polychromie restitution 3D couleurs sculpture grecque et romaine archéologie expérimentale 2D painting polychromy 3D colours Greek and Roman sculpture reconstructions experimental archaeology 2D Østergaard, Jan Stubbe “Reconstruction” of the polychromy of ancient sculpture: a necessary evil? |
| description |
The contribution offers an overview of the history of reconstructions and their use, with a representative selection of formats and their contexts, from the beginnings in the early 19th century to the present. The polychromy of ancient architecture is dealt with only to a limited degree.The point of departure is a perceived need of establishing an informed and critical discussion of the whys and wherefores of reconstructions. On the background of the investigative technologies which have been developed with unprecedented rapidity, a methodological protocol allowing cross-checks of data is recommended. |
| author |
Østergaard, Jan Stubbe |
| author_facet |
Østergaard, Jan Stubbe |
| author_sort |
Østergaard, Jan Stubbe |
| title |
“Reconstruction” of the polychromy of ancient sculpture: a necessary evil? |
| title_short |
“Reconstruction” of the polychromy of ancient sculpture: a necessary evil? |
| title_full |
“Reconstruction” of the polychromy of ancient sculpture: a necessary evil? |
| title_fullStr |
“Reconstruction” of the polychromy of ancient sculpture: a necessary evil? |
| title_full_unstemmed |
“Reconstruction” of the polychromy of ancient sculpture: a necessary evil? |
| title_sort |
“reconstruction” of the polychromy of ancient sculpture: a necessary evil? |
| publisher |
Technè |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/techne |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.2656 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/2656 |
| _version_ |
1877293909206368256 |