Des “Bandeaux d’or” à la postface de “Noces” La “vita nuova” de Pierre Jean Jouve: vers un imaginaire de l’imprésentable?

In 1925, the rupture which appeared in the career of Pierre Jean Jouve led him to divide his work into two sides of which the first is denied. Through an analysis of the literary work, as well as its reflexive comments including the postface of Noces (1928), this article seeks to understand the rupt...

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Bibliografski detalji
Izdano u:URI:https://journals.openedition.org/studifrancesi,
Glavni autor: Deblander, Maxime
Format: Article ou chapitre numérique
Jezik:Français
Izdano: Studi Francesi 2023
Online pristup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/studifrancesi.50731
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/studifrancesi/50731