Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”

«Préexcellence de la poésie» is an unpublished, handwritten text by Pierre Reverdy (1889-1960), which has not been acknowledged in the scholarship and the complete works of the poet. The non-dated pages reveal an early instance of criticism on Cubism and the literary Avant-garde by the contemporary...

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出版年:URI:https://journals.openedition.org/studifrancesi,
第一著者: Dalmas, Franck
フォーマット: Article ou chapitre numérique
言語:Français
出版事項: Studi Francesi 2019
オンライン・アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:studifrancesi_14607 https://doi.org/10.4000/studifrancesi.14607 urn:doi:10.4000/studifrancesi.14607 fr https://journals.openedition.org/studifrancesi/14607 2019-01-18T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/kxfm https://creativecommons.org/licenses/by-nc-nd/4.0/ Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie” Studi Francesi Rosenberg & Sellier info:eu-repo/semantics/reference/issn/2421-5856 info:eu-repo/semantics/reference/issn/0039-2944 URI:https://journals.openedition.org/studifrancesi Dalmas, Franck «Préexcellence de la poésie» is an unpublished, handwritten text by Pierre Reverdy (1889-1960), which has not been acknowledged in the scholarship and the complete works of the poet. The non-dated pages reveal an early instance of criticism on Cubism and the literary Avant-garde by the contemporary of Apollinaire, Braque, and Picasso, in the Parisian post-Symbolist era. In a dozen concise thoughts, in brief note form, Reverdy alludes to the primacy of poetry in the conceptual creation of the graphic arts, the profound meaning of Cubist aesthetic conceived as non-imitative and non-circumstantial practices, the evolution of poetic trends since the end of Symbolism. This article proposes an annotated transcription of the text and a commentary on the aphoristic assessments made by the poet. Our purpose is to show the valuable significance of this text in the Reverdyan corpus and to approximate the date of its composition.
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language Français
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description «Préexcellence de la poésie» is an unpublished, handwritten text by Pierre Reverdy (1889-1960), which has not been acknowledged in the scholarship and the complete works of the poet. The non-dated pages reveal an early instance of criticism on Cubism and the literary Avant-garde by the contemporary of Apollinaire, Braque, and Picasso, in the Parisian post-Symbolist era. In a dozen concise thoughts, in brief note form, Reverdy alludes to the primacy of poetry in the conceptual creation of the graphic arts, the profound meaning of Cubist aesthetic conceived as non-imitative and non-circumstantial practices, the evolution of poetic trends since the end of Symbolism. This article proposes an annotated transcription of the text and a commentary on the aphoristic assessments made by the poet. Our purpose is to show the valuable significance of this text in the Reverdyan corpus and to approximate the date of its composition.
author Dalmas, Franck
spellingShingle Dalmas, Franck
Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”
author_facet Dalmas, Franck
author_sort Dalmas, Franck
title Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”
title_short Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”
title_full Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”
title_fullStr Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”
title_full_unstemmed Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”
title_sort un inédit de pierre reverdy sur la critique d’art: “préexcellence de la poésie”
publisher Studi Francesi
publishDate 2019
container_title URI:https://journals.openedition.org/studifrancesi
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/studifrancesi.14607
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/studifrancesi/14607
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