Transnational Aesthetics in “Harlem: Mecca of the New Negro”
Abstract: This paper examines the transnational dimensions of the March 1925 issue of Survey Graphic, the “Harlem: Mecca of the New Negro” issue that eventually led to the publication of Alain Locke’s New Negro Anthology. The paper examines this text by looking at the work of German artist Winold Re...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/siecles, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Siècles
2022
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |