Of Ruskinian Topography: Visible and Legible Salience in Modern Painters
As contemporary critics have shown, John Ruskin’s lifelong interest in geology not only provided him with a unique understanding of the mountain as a painting subject but also allowed him to develop an idiosyncratic theory of perception where movement and salience prevail – a theory he then applied...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/rga, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Journal of Alpine research|Revue de géographie alpine
2016
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |