Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie
The rewriting of Čekhov’s drama is central in the Russian theatrical life of these last thirty years because the chekhovian characters, in search of ideal in a dying society, propose a reading of the Communism and post-Communism’s troubles. It is in a context of extreme saturation by Čexov’s theater...
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| Izdano u: | URI:https://journals.openedition.org/res, |
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| Format: | Article ou chapitre numérique |
| Jezik: | Français |
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Revue des études slaves
2018
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:res_1069 |
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openedition |
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openedition-oai:revues.org:res_1069 https://doi.org/10.4000/res.1069 urn:doi:10.4000/res.1069 fr https://journals.openedition.org/res/1069 2018-03-28T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/jv4r https://creativecommons.org/licenses/by-sa/4.0/ Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie Revue des études slaves Institut d'études slaves info:eu-repo/semantics/reference/issn/2117-718X info:eu-repo/semantics/reference/issn/0080-2557 URI:https://journals.openedition.org/res Autant-Mathieu, Marie-Christine The rewriting of Čekhov’s drama is central in the Russian theatrical life of these last thirty years because the chekhovian characters, in search of ideal in a dying society, propose a reading of the Communism and post-Communism’s troubles. It is in a context of extreme saturation by Čexov’s theater that the contemporary playwrights try to make their voice heard. From examples chosen among the ‘new wave’ plays, then among those of the Perestroika and of post-Soviet period, the author shows that both fascination and aversion define the relationship contemporary authors have with this classic, whose plays monopolize the stage, to the detriment of the contemporary production. As a barometer, the rewriting of Čexov’s drama records the social changes. After periods of nostalgia towards the end of the 19th century, idealized as a lost paradise, then of sarcasms and destructive irony, the recent Čexov rewritings are rooted in a thematic, structural matrix which is a part of the collective unconscious. Драматургия Чехова и ее новые интерпретации занимают центральное место в российской театральной жизни последних тридцати лет, потому что чеховские персонажи со своим поиском идеала в угасающем обществе способствуют пониманию недугов как самого коммунизма, так и постсоветского периода. Современные авторы стараются быть услышанными в ситуации, когда все до крайней степени насыщено чеховской драматургией. На примерах из пьес « новой волны », затем произведений эпохи перестройки и пост-советского периода, автор покажет, что сегодняшнее отношение авторов к этому классику, чья драматургия господствует на сцене, оттесняя современные произведения. Переписанные Чехов подобно барометру улавливает общественные изменения. После периода ностальгии по отношению к эпохе, которая ощущалась как потерянный рай (конец XIX века), а затем периода сарказма и иронии, последние обращения к Чехову тематически и структурно работают с коллективным бессознательным. |
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OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The rewriting of Čekhov’s drama is central in the Russian theatrical life of these last thirty years because the chekhovian characters, in search of ideal in a dying society, propose a reading of the Communism and post-Communism’s troubles. It is in a context of extreme saturation by Čexov’s theater that the contemporary playwrights try to make their voice heard. From examples chosen among the ‘new wave’ plays, then among those of the Perestroika and of post-Soviet period, the author shows that both fascination and aversion define the relationship contemporary authors have with this classic, whose plays monopolize the stage, to the detriment of the contemporary production. As a barometer, the rewriting of Čexov’s drama records the social changes. After periods of nostalgia towards the end of the 19th century, idealized as a lost paradise, then of sarcasms and destructive irony, the recent Čexov rewritings are rooted in a thematic, structural matrix which is a part of the collective unconscious. |
| author |
Autant-Mathieu, Marie-Christine |
| spellingShingle |
Autant-Mathieu, Marie-Christine Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie |
| author_facet |
Autant-Mathieu, Marie-Christine |
| author_sort |
Autant-Mathieu, Marie-Christine |
| title |
Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie |
| title_short |
Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie |
| title_full |
Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie |
| title_fullStr |
Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie |
| title_full_unstemmed |
Les palimpsestes du théâtre de Čexov ou La Réécriture comme miroir des mutations de l’Union soviétique‑Russie |
| title_sort |
les palimpsestes du théâtre de čexov ou la réécriture comme miroir des mutations de l’union soviétique‑russie |
| publisher |
Revue des études slaves |
| publishDate |
2018 |
| container_title |
URI:https://journals.openedition.org/res |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/res.1069 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/res/1069 |
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