Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre
This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based on...
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| Publicado en: | URI:https://journals.openedition.org/rbep, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Revista Brasileira de Estudos da Presença
2023
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| Acceso en liña: | Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:rbep_586 |
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openedition |
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openedition-oai:revues.org:rbep_586 en https://journals.openedition.org/rbep/586 2023-05-02T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/jhap https://creativecommons.org/licenses/by/4.0/ Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre Revista Brasileira de Estudos da Presença Universidade Federal do Rio Grande do Sul (UFRGS) info:eu-repo/semantics/reference/issn/2237-2660 URI:https://journals.openedition.org/rbep Vicente, Gustavo corps incorporation affects représentation culturelle réception esthétique body embodiment affects cultural representation spectatorship corpo incorporação afetos representação cultural recepção estética This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based on ethics. The analysis draws on a subjective interpretation that unfolds according to the narrative sequence of the performance, therefore trying to free itself from the neutral (and potentially simplistic) look commonly associated with traditional academic models, while at the same time raising new critical possibilities around reception aesthetics. Dans cet article, je soutiens que Sans-titre, du chorégraphe Raimund Hoghe (2009), conduit à l’idée que c’est à travers un mouvement de libération des forces statiques de représentation culturelle que le sujet peut s’approcher des autres, en tant qu’être humaines – c’est-à-dire, construire une relation basée sur l’éthique. Cette analyse part d’une interprétation subjective et elle se développe selon la séquence narrative du spectacle, cherchant à se libérer du regard neutre (et potentiellement réducteur) des régimes traditionnels de régulation académique – au même temps qu’il révèle nouvelles possibilités critiques autour de la réception esthétique. Neste artigo, argumenta-se que Sans-titre, do coreógrafo Raimund Hoghe (2009), remete à ideia de que é por intermédio de um movimento de libertação das forças estáticas de representação cultural que o sujeito pode se aproximar dos outros enquanto humanos – ou seja, construir uma relação baseada na ética. A análise parte de uma interpretação subjetiva que se desenrola em função da sequência narrativa do espetáculo, procurando libertar-se do olhar neutro (e potencialmente redutor) normalmente associado aos regimes tradicionais de regulação académica – ao mesmo tempo em que dá a ver novas possibilidades críticas em torno da recepção estética. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
corps incorporation affects représentation culturelle réception esthétique body embodiment affects cultural representation spectatorship corpo incorporação afetos representação cultural recepção estética |
| spellingShingle |
corps incorporation affects représentation culturelle réception esthétique body embodiment affects cultural representation spectatorship corpo incorporação afetos representação cultural recepção estética Vicente, Gustavo Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
| description |
This paper argues that Sans-titre, by the choreographer Raimund Hoghe (2009), proposes that it is through a movement of release from the static forces of cultural representation that the subject may become closer to others as humans. In other words, the subject may thus build a relationship based on ethics. The analysis draws on a subjective interpretation that unfolds according to the narrative sequence of the performance, therefore trying to free itself from the neutral (and potentially simplistic) look commonly associated with traditional academic models, while at the same time raising new critical possibilities around reception aesthetics. |
| author |
Vicente, Gustavo |
| author_facet |
Vicente, Gustavo |
| author_sort |
Vicente, Gustavo |
| title |
Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
| title_short |
Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
| title_full |
Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
| title_fullStr |
Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
| title_full_unstemmed |
Transient Bodies in Hard Topographies: a guide for life together in Raimund Hoghe’s Sans-titre |
| title_sort |
transient bodies in hard topographies: a guide for life together in raimund hoghe’s sans-titre |
| publisher |
Revista Brasileira de Estudos da Presença |
| publishDate |
2023 |
| container_title |
URI:https://journals.openedition.org/rbep |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/rbep/586 |
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1877292818417844224 |