Pain versus Pleasure: sexuality in women’s performance
This article investigates the opposition of pain versus pleasure in the performances in the Museum of Contemporary Art of the University of São Paulo collection, from 1972 to 2021. The performance works analyzed share, as a major attribute, a relation to extreme physical limit. This study correlates...
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| Publicado no: | URI:https://journals.openedition.org/rbep, |
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| Auteurs principaux: | , |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Revista Brasileira de Estudos da Presença
2023
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:rbep_3530 |
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openedition |
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openedition-oai:revues.org:rbep_3530 en https://journals.openedition.org/rbep/3530 2023-08-17T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/jhfs https://creativecommons.org/licenses/by/4.0/ Pain versus Pleasure: sexuality in women’s performance Revista Brasileira de Estudos da Presença Universidade Federal do Rio Grande do Sul (UFRGS) info:eu-repo/semantics/reference/issn/2237-2660 URI:https://journals.openedition.org/rbep Silva, Aila Regina da Lara, Arthur Hunold performance douleur musee genre sexualité performance pain museum gender sexuality performance dor museu gênero sexualidade This article investigates the opposition of pain versus pleasure in the performances in the Museum of Contemporary Art of the University of São Paulo collection, from 1972 to 2021. The performance works analyzed share, as a major attribute, a relation to extreme physical limit. This study correlates the concepts of pain and pleasure with the advances and setbacks suffered by women socially, politically, and culturally in order to understand who are these women received into the museum. Also, we discuss women’s aesthetic construction in the history of art, considering the various intersections of gender, race, and class to comprehend the complex sexual web in women’s art. Nous étudions l’opposition entre douleur et plaisir à partir d’œuvres de performance du Musée d’Art Contemporain de l’Université de São Paulo entre 1972 et 2021. La principale caractéristique entre les performances analysées est le lien extrême avec la limite physique. Cette étude relie les notions de douleur et de plaisir aux avancées et reculs subis par les femmes dans les sphères sociales, politiques et culturelles pour comprendre qui sont les femmes accueillies dans l’espace muséal. Nous proposons la mise en perspective de la construction esthétique des femmes dans l’histoire de l’art, en concaténant les différentes intersections pour comprendre le tissu sexuel complexe dans l’art. Neste artigo, investiga-se a oposição dor versus prazer a partir do acervo de obras de performance do Museu de Arte Contemporânea da Universidade de São Paulo (MAC-USP) entre 1972 e 2021. As performances analisadas têm como principal característica a relação extrema com o limite físico, e este estudo relaciona os conceitos de dor e prazer aos avanços e retrocessos sofridos pelas mulheres nos âmbitos social, político e cultural para compreender quem são as mulheres recebidas dentro do espaço museológico. Ainda, coloca-se em perspectiva a construção estética da mulher na história da arte, concatenando as diferentes intersecções para compreender a complexa teia sexual na arte de mulheres. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
performance douleur musee genre sexualité performance pain museum gender sexuality performance dor museu gênero sexualidade |
| spellingShingle |
performance douleur musee genre sexualité performance pain museum gender sexuality performance dor museu gênero sexualidade Silva, Aila Regina da Lara, Arthur Hunold Pain versus Pleasure: sexuality in women’s performance |
| description |
This article investigates the opposition of pain versus pleasure in the performances in the Museum of Contemporary Art of the University of São Paulo collection, from 1972 to 2021. The performance works analyzed share, as a major attribute, a relation to extreme physical limit. This study correlates the concepts of pain and pleasure with the advances and setbacks suffered by women socially, politically, and culturally in order to understand who are these women received into the museum. Also, we discuss women’s aesthetic construction in the history of art, considering the various intersections of gender, race, and class to comprehend the complex sexual web in women’s art. |
| author |
Silva, Aila Regina da Lara, Arthur Hunold |
| author_facet |
Silva, Aila Regina da Lara, Arthur Hunold |
| author_sort |
Silva, Aila Regina da |
| title |
Pain versus Pleasure: sexuality in women’s performance |
| title_short |
Pain versus Pleasure: sexuality in women’s performance |
| title_full |
Pain versus Pleasure: sexuality in women’s performance |
| title_fullStr |
Pain versus Pleasure: sexuality in women’s performance |
| title_full_unstemmed |
Pain versus Pleasure: sexuality in women’s performance |
| title_sort |
pain versus pleasure: sexuality in women’s performance |
| publisher |
Revista Brasileira de Estudos da Presença |
| publishDate |
2023 |
| container_title |
URI:https://journals.openedition.org/rbep |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/rbep/3530 |
| _version_ |
1877292701176561664 |