Naming is Dominating? Universalization of theater and epistemic silencing about Afro-Brazilian scenic manifestations
By considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/rbep, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Revista Brasileira de Estudos da Presença
2023
|
| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM |