Peter Blume’s The Rock (1944–48) and the Post-war Landscape
Peter Blume’s The Rock, a painting that preoccupied the artist for the duration of the war (although he did not complete it until 1948), combines evidence of death and destruction alongside signs of renewal. In tune with a future-oriented ethos of that time, The Rock acknowledged destruction in the...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ranam, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Recherches anglaises et nord-américaines
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |