Scommettiamo che è un gioco?

Is commonplace to think of play/game as the opposite of work or as activities applying only to children. This two concepts encompass however a complex set of phenomena. We speak about Olympic Games, game laws, computer games, games of chance; we learn to play chess, the piano or the races; and we ha...

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Publicado no:URI:https://journals.openedition.org/qds,
Autor principal: D’Agati, Marina
Formato: Article ou chapitre numérique
Idioma:Italien
Publicado em: Quaderni di Sociologia 2016
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:qds_355 https://doi.org/10.4000/qds.355 urn:doi:10.4000/qds.355 it https://journals.openedition.org/qds/355 2016-04-19T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/j9ex https://creativecommons.org/licenses/by-nc-nd/4.0/ Scommettiamo che è un gioco? Quaderni di Sociologia Rosenberg & Sellier info:eu-repo/semantics/reference/issn/2421-5848 info:eu-repo/semantics/reference/issn/0033-4952 URI:https://journals.openedition.org/qds D’Agati, Marina Is commonplace to think of play/game as the opposite of work or as activities applying only to children. This two concepts encompass however a complex set of phenomena. We speak about Olympic Games, game laws, computer games, games of chance; we learn to play chess, the piano or the races; and we have a high regard for people who are able to play on words. Beyond its different manifestations, what is the essence of play/game? This is the purpose of Roberte Hamayon’s latest work, Jouer. Internationally renowned for her studies of Shamanism in Mongolian and Siberian area, Hamayon proposes an interesting perspective on what she prefers to call “jouer” (playing/gaming) and not “jeu” (play/game). Following Winnicott and Bateson, the French anthropologist shows that playing is a method of action, a way to do things while doing something else. A central focus in her reflexion is the idea of universality of playing which brings her to identify the main dimensions involved in all forms of play: body movement, imitation, interaction, dramatization, chance, strategy and so forth.
collection OpenEdition Journal
language Italien
format Article ou chapitre numérique
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description Is commonplace to think of play/game as the opposite of work or as activities applying only to children. This two concepts encompass however a complex set of phenomena. We speak about Olympic Games, game laws, computer games, games of chance; we learn to play chess, the piano or the races; and we have a high regard for people who are able to play on words. Beyond its different manifestations, what is the essence of play/game? This is the purpose of Roberte Hamayon’s latest work, Jouer. Internationally renowned for her studies of Shamanism in Mongolian and Siberian area, Hamayon proposes an interesting perspective on what she prefers to call “jouer” (playing/gaming) and not “jeu” (play/game). Following Winnicott and Bateson, the French anthropologist shows that playing is a method of action, a way to do things while doing something else. A central focus in her reflexion is the idea of universality of playing which brings her to identify the main dimensions involved in all forms of play: body movement, imitation, interaction, dramatization, chance, strategy and so forth.
author D’Agati, Marina
spellingShingle D’Agati, Marina
Scommettiamo che è un gioco?
author_facet D’Agati, Marina
author_sort D’Agati, Marina
title Scommettiamo che è un gioco?
title_short Scommettiamo che è un gioco?
title_full Scommettiamo che è un gioco?
title_fullStr Scommettiamo che è un gioco?
title_full_unstemmed Scommettiamo che è un gioco?
title_sort scommettiamo che è un gioco?
publisher Quaderni di Sociologia
publishDate 2016
container_title URI:https://journals.openedition.org/qds
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/qds.355
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