Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw
The first performance of Benjamin Britten’s opera based on Henry James’s 1898 novella, took place in Venice at the Teatro La Fenice in 1954. Turning the text into an opera had required major changes, owing to the transposition of a complex Jamesian narrative form into a dramatic one. However, the l...
Gespeichert in:
| Veröffentlicht in: | URI:https://journals.openedition.org/polysemes, |
|---|---|
| 1. Verfasser: | |
| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
| Veröffentlicht: |
Polysèmes
2022
|
| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:polysemes_9708 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:polysemes_9708 https://doi.org/10.4000/polysemes.9708 urn:doi:10.4000/polysemes.9708 en https://journals.openedition.org/polysemes/9708 2022-04-20T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/j6c3 All rights reserved Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw The first performance of Benjamin Britten’s opera based on Henry James’s 1898 novella, took place in Venice at the Teatro La Fenice in 1954. Turning the text into an opera had required major changes, owing to the transposition of a complex Jamesian narrative form into a dramatic one. However, the librettist, Myfanwy Piper, working in close association with Benjamin Britten, had attempted to retain, to some extent, the undecipherable enigma around which the novella functions. James’s narrativ... Polysèmes SAIT info:eu-repo/semantics/reference/issn/2496-4212 info:eu-repo/semantics/reference/issn/0999-4203 URI:https://journals.openedition.org/polysemes Teyssandier, Hubert |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The first performance of Benjamin Britten’s opera based on Henry James’s 1898 novella, took place in Venice at the Teatro La Fenice in 1954. Turning the text into an opera had required major changes, owing to the transposition of a complex Jamesian narrative form into a dramatic one. However, the librettist, Myfanwy Piper, working in close association with Benjamin Britten, had attempted to retain, to some extent, the undecipherable enigma around which the novella functions. James’s narrativ... |
| author |
Teyssandier, Hubert |
| spellingShingle |
Teyssandier, Hubert Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw |
| author_facet |
Teyssandier, Hubert |
| author_sort |
Teyssandier, Hubert |
| title |
Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw |
| title_short |
Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw |
| title_full |
Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw |
| title_fullStr |
Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw |
| title_full_unstemmed |
Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw |
| title_sort |
voices of the unseen: benjamin britten’s reading of the turn of the screw |
| publisher |
Polysèmes |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/polysemes |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/polysemes.9708 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/polysemes/9708 |
| _version_ |
1877293212209512449 |