Voices of the Unseen: Benjamin Britten’s Reading of The Turn of the Screw
The first performance of Benjamin Britten’s opera based on Henry James’s 1898 novella, took place in Venice at the Teatro La Fenice in 1954. Turning the text into an opera had required major changes, owing to the transposition of a complex Jamesian narrative form into a dramatic one. However, the l...
保存先:
| 出版年: | URI:https://journals.openedition.org/polysemes, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Polysèmes
2022
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | The first performance of Benjamin Britten’s opera based on Henry James’s 1898 novella, took place in Venice at the Teatro La Fenice in 1954. Turning the text into an opera had required major changes, owing to the transposition of a complex Jamesian narrative form into a dramatic one. However, the librettist, Myfanwy Piper, working in close association with Benjamin Britten, had attempted to retain, to some extent, the undecipherable enigma around which the novella functions. James’s narrativ... |
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