Screening Voice and Telling Images: Transmission as Sketching a Portrait of the Artist in Kazuo Ishiguro’s An Artist of the Floating World
In his second novel, An Artist of the Floating World (1986), Kazuo Ishiguro explores the relationship between master and pupil, in the form of a first-person account addressed to an anonymous other. By a tacit contract of “willing suspension of disbelief”, the reader is invited to embark on a journe...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/polysemes, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Polysèmes
2025
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |