Introduction: Ian McEwan’s Sensationalist Impressionism
I like writers generally, and Nabokov is another who is supreme in this respect, who recognizes that forty percent of the brain’s processing is given over to the visual, and the visual region projects deep into other parts of the brain, of language and emotion. We are visual creatures and the novel...
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| Publicado en: | URI:https://journals.openedition.org/polysemes, |
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| Auteurs principaux: | , |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Polysèmes
2022
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:polysemes_10050 |
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openedition |
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openedition-oai:revues.org:polysemes_10050 https://doi.org/10.4000/polysemes.10050 urn:doi:10.4000/polysemes.10050 en https://journals.openedition.org/polysemes/10050 2022-10-01T02:00:00Z info:eu-repo/semantics/openAccess introduction info:eu-repo/semantics/article urn:handle:20.500.13089/j6cg All rights reserved Introduction: Ian McEwan’s Sensationalist Impressionism I like writers generally, and Nabokov is another who is supreme in this respect, who recognizes that forty percent of the brain’s processing is given over to the visual, and the visual region projects deep into other parts of the brain, of language and emotion. We are visual creatures and the novel, more than cinema, for me is ultimately a visual medium.David Lynn, “A Conversation with Ian McEwan”, 45.Crafting his novels for “visual creatures”, Ian McEwan time and again creates impactful, or... Polysèmes SAIT info:eu-repo/semantics/reference/issn/2496-4212 info:eu-repo/semantics/reference/issn/0999-4203 URI:https://journals.openedition.org/polysemes Cassigneul, Adèle Cavalié, Elsa |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
I like writers generally, and Nabokov is another who is supreme in this respect, who recognizes that forty percent of the brain’s processing is given over to the visual, and the visual region projects deep into other parts of the brain, of language and emotion. We are visual creatures and the novel, more than cinema, for me is ultimately a visual medium.David Lynn, “A Conversation with Ian McEwan”, 45.Crafting his novels for “visual creatures”, Ian McEwan time and again creates impactful, or... |
| author |
Cassigneul, Adèle Cavalié, Elsa |
| spellingShingle |
Cassigneul, Adèle Cavalié, Elsa Introduction: Ian McEwan’s Sensationalist Impressionism |
| author_facet |
Cassigneul, Adèle Cavalié, Elsa |
| author_sort |
Cassigneul, Adèle |
| title |
Introduction: Ian McEwan’s Sensationalist Impressionism |
| title_short |
Introduction: Ian McEwan’s Sensationalist Impressionism |
| title_full |
Introduction: Ian McEwan’s Sensationalist Impressionism |
| title_fullStr |
Introduction: Ian McEwan’s Sensationalist Impressionism |
| title_full_unstemmed |
Introduction: Ian McEwan’s Sensationalist Impressionism |
| title_sort |
introduction: ian mcewan’s sensationalist impressionism |
| publisher |
Polysèmes |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/polysemes |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/polysemes.10050 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/polysemes/10050 |
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