Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France
The definition of a ceramic production is a major challenge in archaeology, it must regularly be interrogated and updated. The case of the Bell Beaker phenomenon in Northwestern France give an obvious example: if observations focus on a typological study according to a bibliographical approach then...
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| Publicado no: | URI:https://journals.openedition.org/pm, |
|---|---|
| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Préhistoires méditerranéennes
2021
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:pm_2163 |
|---|---|
| record_format |
openedition |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Campaniforme céramique commune gobelet linéaire gobelet linéaire à bandes réservées vases à cordon nord-ouest de la France Épicampaniforme common ware linear beaker linear beaker with reserved bands vases à cordon Bell Beaker Epicampaniform |
| spellingShingle |
Campaniforme céramique commune gobelet linéaire gobelet linéaire à bandes réservées vases à cordon nord-ouest de la France Épicampaniforme common ware linear beaker linear beaker with reserved bands vases à cordon Bell Beaker Epicampaniform Favrel, Quentin Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France |
| description |
The definition of a ceramic production is a major challenge in archaeology, it must regularly be interrogated and updated. The case of the Bell Beaker phenomenon in Northwestern France give an obvious example: if observations focus on a typological study according to a bibliographical approach then the proposed classification show a relative monotony of the decorations on ceramic productions. A technological approach allows to go deeper into the question and go beyond this limit by bringing new elements to the debate: decoration techniques, firing process or building techniques to name only the most important criteria. Technological approach enriches the debate, allowing to decompose the different stream of influence that may have been observed on a vase or a ceramic tradition. It thus offers a study protocol capable of identifying more clearly the technical transfers, influences, copies and borrowings that punctuate the evolution of ceramic styles. We propose to combine typological, technological analysis and context review to formalize or redefine certain ceramic productions of northwestern France with diffuse boundaries dated to the second half of the third millennium. We will focus in particular on three types of vases: the vases à cordon, linear and linear beaker with grups of line and finally “épicampaniforme” vases. Questioning these productions makes it possible to weigh the various underlying social and economic implications of theses productions, to compare them with others well-identified productions such as maritime beakers or vases belonging to the dotted-geometric style. This will ultimately allow us to discuss the relationships between productions, and the validity of certain key concepts of Campaniforme. |
| author |
Favrel, Quentin |
| author_facet |
Favrel, Quentin |
| author_sort |
Favrel, Quentin |
| title |
Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France |
| title_short |
Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France |
| title_full |
Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France |
| title_fullStr |
Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France |
| title_full_unstemmed |
Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France |
| title_sort |
around maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western france |
| publisher |
Préhistoires méditerranéennes |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/pm |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/pm.2163 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/pm/2163 |
| _version_ |
1877293733988270080 |
| spelling |
openedition-oai:revues.org:pm_2163 https://doi.org/10.4000/pm.2163 urn:doi:10.4000/pm.2163 en https://journals.openedition.org/pm/2163 2021-01-29T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/j3oh https://creativecommons.org/licenses/by/4.0/ Around Maritime beaker: the vases à cordon, linear beakers and épicampaniforme productions in north‑western France Préhistoires méditerranéennes Association pour la promotion de la préhistoire et de l'anthropologie méditerranéennes info:eu-repo/semantics/reference/issn/2105-2565 info:eu-repo/semantics/reference/issn/2118-8211 URI:https://journals.openedition.org/pm Favrel, Quentin Campaniforme céramique commune gobelet linéaire gobelet linéaire à bandes réservées vases à cordon nord-ouest de la France Épicampaniforme common ware linear beaker linear beaker with reserved bands vases à cordon Bell Beaker Epicampaniform The definition of a ceramic production is a major challenge in archaeology, it must regularly be interrogated and updated. The case of the Bell Beaker phenomenon in Northwestern France give an obvious example: if observations focus on a typological study according to a bibliographical approach then the proposed classification show a relative monotony of the decorations on ceramic productions. A technological approach allows to go deeper into the question and go beyond this limit by bringing new elements to the debate: decoration techniques, firing process or building techniques to name only the most important criteria. Technological approach enriches the debate, allowing to decompose the different stream of influence that may have been observed on a vase or a ceramic tradition. It thus offers a study protocol capable of identifying more clearly the technical transfers, influences, copies and borrowings that punctuate the evolution of ceramic styles. We propose to combine typological, technological analysis and context review to formalize or redefine certain ceramic productions of northwestern France with diffuse boundaries dated to the second half of the third millennium. We will focus in particular on three types of vases: the vases à cordon, linear and linear beaker with grups of line and finally “épicampaniforme” vases. Questioning these productions makes it possible to weigh the various underlying social and economic implications of theses productions, to compare them with others well-identified productions such as maritime beakers or vases belonging to the dotted-geometric style. This will ultimately allow us to discuss the relationships between productions, and the validity of certain key concepts of Campaniforme. La définition d’une production céramique est un enjeu majeur en archéologie, elle doit régulièrement être interrogée et actualisée. Le cas du phénomène campaniforme dans le nord-ouest de la France en fournit un exemple flagrant : si les observations se bornent à une étude typologique d’après une approche bibliographique alors les classements proposés montrent une relative monotonie des décors sur les productions céramiques. Une approche technologique permet d’approfondir la question et de dépasser cette limite en apportant de nouveaux éléments de réflexion : techniques de décorations, de cuisson ou de montage des vases pour ne citer que les critères les plus importants. L’approche technologique enrichit la discussion, elle permet de décomposer les différents courants d’influence ayant pu être observés sur un vase ou une tradition céramique. Elle offre ainsi un protocole d’étude à même d’identifier plus clairement les transferts techniques, les influences, copies et emprunts qui rythment l’évolution des styles céramiques. Nous nous proposons de coupler analyse typologique, technologique et relecture de contextes pour formaliser ou redéfinir certaines productions céramiques du nord-ouest de la France aux contours diffus datés de la seconde moitié du troisième millénaire. Nous nous concentrerons particulièrement sur trois types de vases : les vases à cordon, les gobelets à décor linéaires et linéaires à bandes réservées et enfin les vases épicampaniformes. Interroger ces productions permet de mesurer les diverses implications sociales et économiques sous-jacentes à ces productions, de les comparer aux autres productions bien identifiées comme les gobelets maritime ou les vases du style du pointillé-géométrique. Ce qui permettra au final de discuter des rapports entre productions, et de la validité de certains concepts clefs du Campaniforme. |