« Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?]
With the aid of a camera, I offer to conduct an ethnographic analysis of the different police approaches to controlling protest actions in Moscow. At first I will analyse in detailed action descriptions the police techniques used in a public protest on January 19, 2010 in Moscow. This action was org...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/pipss, |
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| Fformat: | Article ou chapitre numérique |
| Iaith: | Français |
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The Journal of power institutions in post-soviet societies
2012
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:pipss_3921 |
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openedition |
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openedition-oai:revues.org:pipss_3921 https://doi.org/10.4000/pipss.3921 urn:doi:10.4000/pipss.3921 fr https://journals.openedition.org/pipss/3921 2012-11-30T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/j2lp https://creativecommons.org/licenses/by-nc-nd/4.0/ « Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?] The Journal of power institutions in post-soviet societies Centre d'études et de recherche sur les sociétés et les institutions post-soviétiques info:eu-repo/semantics/reference/issn/1769-7069 URI:https://journals.openedition.org/pipss Poupin, Perrine Police Repression Demonstrations Physical Violence Russia With the aid of a camera, I offer to conduct an ethnographic analysis of the different police approaches to controlling protest actions in Moscow. At first I will analyse in detailed action descriptions the police techniques used in a public protest on January 19, 2010 in Moscow. This action was organized following the murder, one year before, of two people in the center of Moscow, Stanislav Markelov, lawyer, left-wing activist and human rights defender and Anastasia Baburova, a trainee journalist in the opposition newspaper Novaia Gazeta and a libertarian activist. Then, I will explore the link between police action, methods of crowd control and everyday production of politics in the streets as a particular moment of the political game. |
| collection |
OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Police Repression Demonstrations Physical Violence |
| spellingShingle |
Police Repression Demonstrations Physical Violence Poupin, Perrine « Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?] |
| description |
With the aid of a camera, I offer to conduct an ethnographic analysis of the different police approaches to controlling protest actions in Moscow. At first I will analyse in detailed action descriptions the police techniques used in a public protest on January 19, 2010 in Moscow. This action was organized following the murder, one year before, of two people in the center of Moscow, Stanislav Markelov, lawyer, left-wing activist and human rights defender and Anastasia Baburova, a trainee journalist in the opposition newspaper Novaia Gazeta and a libertarian activist. Then, I will explore the link between police action, methods of crowd control and everyday production of politics in the streets as a particular moment of the political game. |
| author |
Poupin, Perrine |
| author_facet |
Poupin, Perrine |
| author_sort |
Poupin, Perrine |
| title |
« Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?] |
| title_short |
« Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?] |
| title_full |
« Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?] |
| title_fullStr |
« Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?] |
| title_full_unstemmed |
« Démocratie dirigée » et manifestations protestataires de rue à Moscou : quelle partition joue la police ? [« Planned Democracy » and Street Protest Marches in Moscow : What Musical Score is Playing the Police?] |
| title_sort |
« démocratie dirigée » et manifestations protestataires de rue à moscou : quelle partition joue la police ? [« planned democracy » and street protest marches in moscow : what musical score is playing the police?] |
| publisher |
The Journal of power institutions in post-soviet societies |
| publishDate |
2012 |
| container_title |
URI:https://journals.openedition.org/pipss |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/pipss.3921 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/pipss/3921 |
| _version_ |
1877243759705456641 |