Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art
By moving into the Labrouste reading room, the library of the Institut national de l’histoire de l’art will fulfill years of preparation, reflection, and debates that have punctuated its long gestation. As a descendant of the Bibliothèque d’art et d’archéologie Jacques Doucet, its affiliation with t...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/perspective, |
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| প্রধান লেখক: | , , , |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Français |
| প্রকাশিত: |
Perspective
2017
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:perspective_6826 |
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openedition |
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openedition-oai:revues.org:perspective_6826 https://doi.org/10.4000/perspective.6826 urn:doi:10.4000/perspective.6826 fr https://journals.openedition.org/perspective/6826 2017-01-30T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/ixxn All rights reserved Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art Perspective Institut national d'histoire de l'art info:eu-repo/semantics/reference/issn/2269-7721 info:eu-repo/semantics/reference/issn/1777-7852 URI:https://journals.openedition.org/perspective Buxtorf, Anne-Élisabeth Gillet, Pascale Granger, Catherine Rolland, Anne-Solène collection sources écrites université recherche histoire des collections histoire de l'art bibliothèque Institut national d'histoire de l'art publics bibliothèque de musée bibliothèque universitaire accès libre collection written sources university research history of collections art history library audiences museum library university library free access ricerca collezione storia delle collezioni storia dell'arte università biblioteca fonti scritte pubblichi biblioteca di museo biblioteca universitaria accesso libero By moving into the Labrouste reading room, the library of the Institut national de l’histoire de l’art will fulfill years of preparation, reflection, and debates that have punctuated its long gestation. As a descendant of the Bibliothèque d’art et d’archéologie Jacques Doucet, its affiliation with the university is today lively and meaningful. The incorporation of the Bibliothèque centrale des musées nationaux, formerly at the Louvre, on January 1, 2016 has invited museums into the heart of INHA’s collections. For the three entities concerned, this change has involved – and still involves – a questioning of the orientation and missions of the libraries they represent. The Louvre museum has launched a vast project of promotion and coordination of its libraries. After extensive preparatory work, the Bibliothèque centrale des musées nationaux (BCMN) has been physically absorbed into the INHA, requiring a necessary examination at the INHA, not only of its history, but also of its project. Indeed, for the INHA library, the foundation stone that is the BCMN consolidates this inauguration in completely renovated spaces: a reading room with four hundred seats, together with open-access stacks containing 150,000 documents on three levels, opening with the Bibliothèque nationale de France and in particular its département des Estampes et de la photographie, but also with the École nationale des chartes. The three texts that follow must therefore be read interactively as exchanges relating to what makes writing the history of art possible. |
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OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
collection sources écrites université recherche histoire des collections histoire de l'art bibliothèque Institut national d'histoire de l'art publics bibliothèque de musée bibliothèque universitaire accès libre collection written sources university research history of collections art history library audiences museum library university library free access ricerca collezione storia delle collezioni storia dell'arte università biblioteca fonti scritte pubblichi biblioteca di museo biblioteca universitaria accesso libero |
| spellingShingle |
collection sources écrites université recherche histoire des collections histoire de l'art bibliothèque Institut national d'histoire de l'art publics bibliothèque de musée bibliothèque universitaire accès libre collection written sources university research history of collections art history library audiences museum library university library free access ricerca collezione storia delle collezioni storia dell'arte università biblioteca fonti scritte pubblichi biblioteca di museo biblioteca universitaria accesso libero Buxtorf, Anne-Élisabeth Gillet, Pascale Granger, Catherine Rolland, Anne-Solène Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art |
| description |
By moving into the Labrouste reading room, the library of the Institut national de l’histoire de l’art will fulfill years of preparation, reflection, and debates that have punctuated its long gestation. As a descendant of the Bibliothèque d’art et d’archéologie Jacques Doucet, its affiliation with the university is today lively and meaningful. The incorporation of the Bibliothèque centrale des musées nationaux, formerly at the Louvre, on January 1, 2016 has invited museums into the heart of INHA’s collections. For the three entities concerned, this change has involved – and still involves – a questioning of the orientation and missions of the libraries they represent. The Louvre museum has launched a vast project of promotion and coordination of its libraries. After extensive preparatory work, the Bibliothèque centrale des musées nationaux (BCMN) has been physically absorbed into the INHA, requiring a necessary examination at the INHA, not only of its history, but also of its project. Indeed, for the INHA library, the foundation stone that is the BCMN consolidates this inauguration in completely renovated spaces: a reading room with four hundred seats, together with open-access stacks containing 150,000 documents on three levels, opening with the Bibliothèque nationale de France and in particular its département des Estampes et de la photographie, but also with the École nationale des chartes. The three texts that follow must therefore be read interactively as exchanges relating to what makes writing the history of art possible. |
| author |
Buxtorf, Anne-Élisabeth Gillet, Pascale Granger, Catherine Rolland, Anne-Solène |
| author_facet |
Buxtorf, Anne-Élisabeth Gillet, Pascale Granger, Catherine Rolland, Anne-Solène |
| author_sort |
Buxtorf, Anne-Élisabeth |
| title |
Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art |
| title_short |
Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art |
| title_full |
Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art |
| title_fullStr |
Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art |
| title_full_unstemmed |
Bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art |
| title_sort |
bibliothèques de musées, bibliothèques universitaires : des collections au service de l’histoire de l’art |
| publisher |
Perspective |
| publishDate |
2017 |
| container_title |
URI:https://journals.openedition.org/perspective |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/perspective.6826 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/perspective/6826 |
| _version_ |
1877242375712014336 |