La vie dans un monde sans objets
Tim Ingold, author of Lines: A Brief History, works at the intersection of anthropology and phenomenology. The piece he has written in response to the textiles issue of Perspective could almost have been entitled “With Deleuze, against Gell” for its emphasis on things as opposed to objects, the forc...
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| Dans: | URI:https://journals.openedition.org/perspective, |
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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Perspective
2016
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:perspective_6255 |
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openedition |
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openedition-oai:revues.org:perspective_6255 https://doi.org/10.4000/perspective.6255 urn:doi:10.4000/perspective.6255 fr https://journals.openedition.org/perspective/6255 2016-07-28T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/ixwy All rights reserved La vie dans un monde sans objets Perspective Institut national d'histoire de l'art info:eu-repo/semantics/reference/issn/2269-7721 info:eu-repo/semantics/reference/issn/1777-7852 URI:https://journals.openedition.org/perspective Ingold, Tim agency anthropology materiality work thing Object network textility phenomenology anthropologie matérialité objet agentivité chose réseau textilité phénoménologie œuvre oggetto cosa materialità opera agency network fenomenologia antropologia Tim Ingold, author of Lines: A Brief History, works at the intersection of anthropology and phenomenology. The piece he has written in response to the textiles issue of Perspective could almost have been entitled “With Deleuze, against Gell” for its emphasis on things as opposed to objects, the forces that pass through them rather than their definitions, the weave and interlacing of threads rather than linear segments, and flows of materials rather than agency.Ingold’s piece in this issue of Perspective serves as a metaphor of textile phenomenology: a multi-directional process of thought, proliferating and leaking – to borrow the term he shares with Andy Clark. Ingold’s excursion into the world of craft to describe his reflective practice as an anthropologist, and that of the history of art into the rhizomatic work of the human sciences, stimulate a form of horizontal thinking, an environmental approach that sees links between the chef, alchemist and painter, and compares lace to the solar plexus or a spider’s web. Ingold observes and brings clearly to light the different vital forces that flow through actor-networks and thing-meshes, and in so doing senses a form of textility. [Anne Lafont] |
| collection |
OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
agency anthropology materiality work thing Object network textility phenomenology anthropologie matérialité objet agentivité chose réseau textilité phénoménologie œuvre oggetto cosa materialità opera agency network fenomenologia antropologia |
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agency anthropology materiality work thing Object network textility phenomenology anthropologie matérialité objet agentivité chose réseau textilité phénoménologie œuvre oggetto cosa materialità opera agency network fenomenologia antropologia Ingold, Tim La vie dans un monde sans objets |
| description |
Tim Ingold, author of Lines: A Brief History, works at the intersection of anthropology and phenomenology. The piece he has written in response to the textiles issue of Perspective could almost have been entitled “With Deleuze, against Gell” for its emphasis on things as opposed to objects, the forces that pass through them rather than their definitions, the weave and interlacing of threads rather than linear segments, and flows of materials rather than agency.Ingold’s piece in this issue of Perspective serves as a metaphor of textile phenomenology: a multi-directional process of thought, proliferating and leaking – to borrow the term he shares with Andy Clark. Ingold’s excursion into the world of craft to describe his reflective practice as an anthropologist, and that of the history of art into the rhizomatic work of the human sciences, stimulate a form of horizontal thinking, an environmental approach that sees links between the chef, alchemist and painter, and compares lace to the solar plexus or a spider’s web. Ingold observes and brings clearly to light the different vital forces that flow through actor-networks and thing-meshes, and in so doing senses a form of textility. [Anne Lafont] |
| author |
Ingold, Tim |
| author_facet |
Ingold, Tim |
| author_sort |
Ingold, Tim |
| title |
La vie dans un monde sans objets |
| title_short |
La vie dans un monde sans objets |
| title_full |
La vie dans un monde sans objets |
| title_fullStr |
La vie dans un monde sans objets |
| title_full_unstemmed |
La vie dans un monde sans objets |
| title_sort |
la vie dans un monde sans objets |
| publisher |
Perspective |
| publishDate |
2016 |
| container_title |
URI:https://journals.openedition.org/perspective |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/perspective.6255 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/perspective/6255 |
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