Annexe : version originale des extraits traduits de George Moore (article 3)
1. Confessions of a Young Man (1888)([3] p. 35) At that moment the glass door of the café grated upon the sanded floor, and Manet entered. Although by birth and by art essentially Parisian, there was something in his appearance and manner of speaking that often suggested an Englishman. Perhaps it w...
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| Xuất bản năm: | URI:https://journals.openedition.org/ml, |
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| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Được phát hành: |
Modèles linguistiques
2019
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| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:ml_4465 |
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openedition |
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openedition-oai:revues.org:ml_4465 https://doi.org/10.4000/ml.4465 urn:doi:10.4000/ml.4465 https://journals.openedition.org/ml/4465 2019-12-05T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/iclm All rights reserved Annexe : version originale des extraits traduits de George Moore (article 3) 1. Confessions of a Young Man (1888)([3] p. 35) At that moment the glass door of the café grated upon the sanded floor, and Manet entered. Although by birth and by art essentially Parisian, there was something in his appearance and manner of speaking that often suggested an Englishman. Perhaps it was his dress – his clean-cut clothes and figure. That figure! those square shoulders that swaggered as he went across a room and the thin waist; and that face, the beard and nose, satyr-like shall ... Modèles linguistiques Association Modèles linguistiques info:eu-repo/semantics/reference/issn/2274-0511 info:eu-repo/semantics/reference/issn/0249-6267 URI:https://journals.openedition.org/ml Moore, George |
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OpenEdition Journal |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
1. Confessions of a Young Man (1888)([3] p. 35) At that moment the glass door of the café grated upon the sanded floor, and Manet entered. Although by birth and by art essentially Parisian, there was something in his appearance and manner of speaking that often suggested an Englishman. Perhaps it was his dress – his clean-cut clothes and figure. That figure! those square shoulders that swaggered as he went across a room and the thin waist; and that face, the beard and nose, satyr-like shall ... |
| author |
Moore, George |
| spellingShingle |
Moore, George Annexe : version originale des extraits traduits de George Moore (article 3) |
| author_facet |
Moore, George |
| author_sort |
Moore, George |
| title |
Annexe : version originale des extraits traduits de George Moore (article 3) |
| title_short |
Annexe : version originale des extraits traduits de George Moore (article 3) |
| title_full |
Annexe : version originale des extraits traduits de George Moore (article 3) |
| title_fullStr |
Annexe : version originale des extraits traduits de George Moore (article 3) |
| title_full_unstemmed |
Annexe : version originale des extraits traduits de George Moore (article 3) |
| title_sort |
annexe : version originale des extraits traduits de george moore (article 3) |
| publisher |
Modèles linguistiques |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/ml |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ml.4465 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ml/4465 |
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