Marcel Duchamp. La Peinture, même.
Thirty-seven years after the first Duchamp exhibit for the grand opening of the Centre Pompidou in 1977, the purpose of the new Duchamp retrospective was, as the title clearly indicates, to counter the too-popular assumption that Duchamp is « the artist who killed painting » with his first readymad...
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| I publikationen: | URI:https://journals.openedition.org/miranda, |
|---|---|
| Huvudupphovsman: | |
| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
| Publicerad: |
Miranda
2015
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| Ämnen: | |
| Länkar: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
