Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring
Music scoring of film is one of the most potent techniques for defining and dimensionalizing moving images; in silent film, musical fabric has formidable powers to broaden and evoke emotional and intellectual responses simultaneously. Silent film scoring is an especially volatile process because the...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/miranda, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Miranda
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |