Intertwined artistic practices: critical remarks on collaboration across fields of knowledge

As an artist I pursue a transdisciplinary practice and my process evolves and takes place in time, in different contexts and through distinct materials. The collaboration between artists and scientists is no longer a surprise and is validated as a strategy by many differing authors. However, the pro...

पूर्ण विवरण

में बचाया:
ग्रंथसूची विवरण
में प्रकाशित:URI:https://journals.openedition.org/midas,
मुख्य लेखक: Lopes, Maria Manuela
स्वरूप: Article ou chapitre numérique
भाषा:eng
प्रकाशित: MIDAS 2015
विषय:
ऑनलाइन पहुंच:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id openedition-oai:revues.org:midas_856
record_format openedition
spelling openedition-oai:revues.org:midas_856 https://doi.org/10.4000/midas.856 urn:doi:10.4000/midas.856 eng https://journals.openedition.org/midas/856 2015-12-07T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/iakf https://creativecommons.org/licenses/by-nc-sa/4.0/ Intertwined artistic practices: critical remarks on collaboration across fields of knowledge MIDAS CIDEHUS - Centro Interdisciplinar de História Culturas e Sociedades da Universidade de Évora info:eu-repo/semantics/reference/issn/2182-9543 URI:https://journals.openedition.org/midas Lopes, Maria Manuela memory science and art neuroscience Alzheimer’s disease memória ciência e arte neurociência doença de Alzheimer As an artist I pursue a transdisciplinary practice and my process evolves and takes place in time, in different contexts and through distinct materials. The collaboration between artists and scientists is no longer a surprise and is validated as a strategy by many differing authors. However, the proposed inquiry to reflect on the working relationships between artists, scientists and communicators of science, in the process of art production, became a challenging task. Through the analyses of the production of an art installation (The Therapy) developed in the context of my PhD research during an artistic residency in neuroscience laboratories and a hospital, I devised an approach that touches issues of authorship and collaboration, and co-construction of knowledge and meaning in a relational network. In creative terms, the major conclusions are the development of several novel methods of research, the resulting artefacts and the practical materialization of these via the agency of installation. Como artista desenvolvo uma prática interdisciplinar e o meu processo evolui e toma forma no tempo, em diferentes contextos e em distintos suportes/matérias. A colaboração entre artistas e cientistas não é mais uma surpresa e é validada por vários autores como estratégia no mundo artístico. No entanto, o repto proposto de refletir sobre as relações de trabalho entre artistas, cientistas e comunicadores de ciência, no processo da produção artística, tornou-se uma tarefa desafiante. Através da análise da produção de uma instalação artística (A Terapia) desenvolvida no contexto do meu projeto de doutoramento, quando em residência artística em laboratórios de neurociências e num hospital, delineei uma proposta que toca em questões de autoria e colaboração e co-construção de conhecimento e significados numa rede relacional. Em termos criativos as maiores conclusões foram o desenvolvimento de vários métodos inovadores de investigação, os artefactos resultantes e a materialização prática deles via instalação.
collection OpenEdition Journal
language eng
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic memory
science and art
neuroscience
Alzheimer’s disease
memória
ciência e arte
neurociência
doença de Alzheimer
spellingShingle memory
science and art
neuroscience
Alzheimer’s disease
memória
ciência e arte
neurociência
doença de Alzheimer
Lopes, Maria Manuela
Intertwined artistic practices: critical remarks on collaboration across fields of knowledge
description As an artist I pursue a transdisciplinary practice and my process evolves and takes place in time, in different contexts and through distinct materials. The collaboration between artists and scientists is no longer a surprise and is validated as a strategy by many differing authors. However, the proposed inquiry to reflect on the working relationships between artists, scientists and communicators of science, in the process of art production, became a challenging task. Through the analyses of the production of an art installation (The Therapy) developed in the context of my PhD research during an artistic residency in neuroscience laboratories and a hospital, I devised an approach that touches issues of authorship and collaboration, and co-construction of knowledge and meaning in a relational network. In creative terms, the major conclusions are the development of several novel methods of research, the resulting artefacts and the practical materialization of these via the agency of installation.
author Lopes, Maria Manuela
author_facet Lopes, Maria Manuela
author_sort Lopes, Maria Manuela
title Intertwined artistic practices: critical remarks on collaboration across fields of knowledge
title_short Intertwined artistic practices: critical remarks on collaboration across fields of knowledge
title_full Intertwined artistic practices: critical remarks on collaboration across fields of knowledge
title_fullStr Intertwined artistic practices: critical remarks on collaboration across fields of knowledge
title_full_unstemmed Intertwined artistic practices: critical remarks on collaboration across fields of knowledge
title_sort intertwined artistic practices: critical remarks on collaboration across fields of knowledge
publisher MIDAS
publishDate 2015
container_title URI:https://journals.openedition.org/midas
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/midas.856
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/midas/856
_version_ 1877242745372803072