Clint and the empty chair
The performance of the year 2012 came from a movie star who is more often lauded for his persona than for his subtlety or genius as an actor. But it wasn’t acting in a movie. The performance was shown on television and now and forever after plays on the Internet. This star’s persona is as beloved b...
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| Publicado en: | URI:https://journals.openedition.org/map, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Mise au point
2014
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:map_1802 |
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openedition |
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openedition-oai:revues.org:map_1802 https://doi.org/10.4000/map.1802 urn:doi:10.4000/map.1802 en https://journals.openedition.org/map/1802 2014-06-02T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/i3k5 https://creativecommons.org/licenses/by-nc-nd/4.0/ Clint and the empty chair The performance of the year 2012 came from a movie star who is more often lauded for his persona than for his subtlety or genius as an actor. But it wasn’t acting in a movie. The performance was shown on television and now and forever after plays on the Internet. This star’s persona is as beloved by many critics and scholars as by the general public, yet it is often simplified and misunderstood. That is one reason why Clint Eastwood’s performance before the Republican National Convention sta... Mise au point Association française des enseignants et chercheurs en cinéma et audiovisuel info:eu-repo/semantics/reference/issn/2261-9623 URI:https://journals.openedition.org/map McGilligan, Patrick |
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OpenEdition Journal |
| language |
Anglais |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The performance of the year 2012 came from a movie star who is more often lauded for his persona than for his subtlety or genius as an actor. But it wasn’t acting in a movie. The performance was shown on television and now and forever after plays on the Internet. This star’s persona is as beloved by many critics and scholars as by the general public, yet it is often simplified and misunderstood. That is one reason why Clint Eastwood’s performance before the Republican National Convention sta... |
| author |
McGilligan, Patrick |
| spellingShingle |
McGilligan, Patrick Clint and the empty chair |
| author_facet |
McGilligan, Patrick |
| author_sort |
McGilligan, Patrick |
| title |
Clint and the empty chair |
| title_short |
Clint and the empty chair |
| title_full |
Clint and the empty chair |
| title_fullStr |
Clint and the empty chair |
| title_full_unstemmed |
Clint and the empty chair |
| title_sort |
clint and the empty chair |
| publisher |
Mise au point |
| publishDate |
2014 |
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URI:https://journals.openedition.org/map |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/map.1802 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/map/1802 |
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