Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick

Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick

The aim of this study is to examine Cynthia Ozick's contribution to Holocaust literature through one of her shortest yet most poignant short story : The Shawl. Cynthia 0zick posits herself as what Norma Rosen calls a "witness‑through-the-imagination", taking up the challenge of imagin...

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In:URI:https://journals.openedition.org/jsse,
Main Author: Antoine, Josée
Format: Article ou chapitre numérique
Language:Français
Published: Journal of the Short Story in English 2010
Online Access:Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:jsse_79 fr https://journals.openedition.org/jsse/79 2010-03-17T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/haz9 https://creativecommons.org/licenses/by-nc-nd/4.0/ Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick Journal of the Short Story in English Presses universitaires de Rennes info:eu-repo/semantics/reference/issn/1969-6108 info:eu-repo/semantics/reference/issn/0294-0442 URI:https://journals.openedition.org/jsse Antoine, Josée The aim of this study is to examine Cynthia Ozick's contribution to Holocaust literature through one of her shortest yet most poignant short story : The Shawl. Cynthia 0zick posits herself as what Norma Rosen calls a "witness‑through-the-imagination", taking up the challenge of imagining, depicting and articulating what seems to elude literary representation, namely the horror of concentration camps. Cynthia Ozick's fictional representation, based on indirection and metaphor, serves the moral duty today's Jewish writer cannot eschew: that of speaking the unspeakable, of turning history into historical conscience.
collection OpenEdition Journal
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description The aim of this study is to examine Cynthia Ozick's contribution to Holocaust literature through one of her shortest yet most poignant short story : The Shawl. Cynthia 0zick posits herself as what Norma Rosen calls a "witness‑through-the-imagination", taking up the challenge of imagining, depicting and articulating what seems to elude literary representation, namely the horror of concentration camps. Cynthia Ozick's fictional representation, based on indirection and metaphor, serves the moral duty today's Jewish writer cannot eschew: that of speaking the unspeakable, of turning history into historical conscience.
author Antoine, Josée
spellingShingle Antoine, Josée
Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick
author_facet Antoine, Josée
author_sort Antoine, Josée
title Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick
title_short Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick
title_full Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick
title_fullStr Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick
title_full_unstemmed Une rhétorique de l'indicible : "The Shawl" de Cynthia Ozick
title_sort une rhétorique de l'indicible : "the shawl" de cynthia ozick
publisher Journal of the Short Story in English
publishDate 2010
container_title URI:https://journals.openedition.org/jsse
url https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/jsse/79
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