Between It-Narratives and Agalmata: Nathaniel Hawthorne’s Tales, (In)Animate Things and the Lifelikeness of Artefacts
“Drowne’s Wooden Image” (1844) and “Feathertop” (1852) have often been read as indebted to the myth of Pygmalion. Yet, multiple deviations from the standard pattern complicate the ways in which readers understand the age-old ambition of artists of achieving lifelikeness, life itself, in their works....
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/jsse, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Journal of the Short Story in English
2025
|
| Accès en ligne: | Accès Université d'Orléans et IFPM |