Fragmented Temporality, Digression and Experiments in Consciousness Representation: Arthur Machen’s “The White People”
This article examines the formal features of the short story “The White People,” written in 1899 by fin-de-siècle author Arthur Machen. The story is composed almost entirely of a girl’s diary written in the first person and in a stream-like flow, almost without paragraph breaks. Its artistic value h...
Sábháilte in:
| Foilsithe in: | URI:https://journals.openedition.org/jsse, |
|---|---|
| Príomhchruthaitheoir: | |
| Formáid: | Article ou chapitre numérique |
| Teanga: | Anglais |
| Foilsithe / Cruthaithe: |
Journal of the Short Story in English
2024
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| Rochtain ar líne: | Accès Université d'Orléans et IFPM |