Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933)

In the 1920-1930s, the publisher Kurt Wolff asked famous writers to introduce Frans Masereel’s “graphic novels”. Thomas Mann, Max Brod and Hermann Hesse introduced Mein Stundenbuch and Geschichte ohne Wort. These novels develop a narrative exposition of the dangers and pains linked to sentimental ad...

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Huvudupphovsman: Droixhe, Daniel
Materialtyp: Article ou chapitre numérique
Språk:Anglais
Publicerad: Interfaces 2025
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Länkar:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:interfaces_9767 https://doi.org/10.4000/13p0p urn:doi:10.4000/13p0p en https://journals.openedition.org/interfaces/9767 2025-04-07T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/13p0p https://creativecommons.org/licenses/by/4.0/ Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933) Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Droixhe, Daniel Masereel (Frans) roman graphique Mann (Thomas) Brod (Max) Hesse (Herman) amour passion sexualité Masereel (Frans) graphic novel Mann (Thomas) Brod (Max) Hesse (Herman) love passion sexuality In the 1920-1930s, the publisher Kurt Wolff asked famous writers to introduce Frans Masereel’s “graphic novels”. Thomas Mann, Max Brod and Hermann Hesse introduced Mein Stundenbuch and Geschichte ohne Wort. These novels develop a narrative exposition of the dangers and pains linked to sentimental adventures and passionate love, damaging for a man discovering the world, and notably for the artist who has to protect his ability. Masereel’s images of the woman are characterized differently by the authors. For Hesse, she is a “clever, cold female”. For Brod, she is “an especially fragile and naughty girl” bringing “an evil enchantment”, “followed by a painful awakening.” Mann concludes that, ultimately, Masereel’s hero “has had enough of love” and needs to separate “the practical man”, decided to control his life, from “the intellectual and imaginative man”. Dans les années 1920-1930, l’éditeur Kurt Wolff demanda à des écrivains célèbres de présenter certains « romans graphiques » de Frans Masereel. Thomas Mann, Max Brod et Hermann Hesse présentèrent Mon livre d’heures et Histoire sans paroles. On montre que ces romans développent une exposition narrative des dangers et douleurs accompagnant les aventures sentimentales et la passion amoureuse, dommageables pour un homme à la découverte du monde, et particulièrement pour un artiste soucieux de préserver ses capacités. L’image de la femme chez Masereel est ainsi caractérisée différemment. Pour Hesse, il s’agit d’une « intelligente, froide femelle ». Pour Brod, c’est « une fille particulièrement fragile et méchante », qui apporte « un mauvais enchantement ». Mann conclut que, finalement, le héros de Masereel « en a assez de l’amour » et éprouve le besoin de séparer « l’homme pratique », décidé à contrôler sa vie, de « l’homme intellectuel et imaginatif ».
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic Masereel (Frans)
roman graphique
Mann (Thomas)
Brod (Max)
Hesse (Herman)
amour
passion
sexualité
Masereel (Frans)
graphic novel
Mann (Thomas)
Brod (Max)
Hesse (Herman)
love
passion
sexuality
spellingShingle Masereel (Frans)
roman graphique
Mann (Thomas)
Brod (Max)
Hesse (Herman)
amour
passion
sexualité
Masereel (Frans)
graphic novel
Mann (Thomas)
Brod (Max)
Hesse (Herman)
love
passion
sexuality
Droixhe, Daniel
Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933)
description In the 1920-1930s, the publisher Kurt Wolff asked famous writers to introduce Frans Masereel’s “graphic novels”. Thomas Mann, Max Brod and Hermann Hesse introduced Mein Stundenbuch and Geschichte ohne Wort. These novels develop a narrative exposition of the dangers and pains linked to sentimental adventures and passionate love, damaging for a man discovering the world, and notably for the artist who has to protect his ability. Masereel’s images of the woman are characterized differently by the authors. For Hesse, she is a “clever, cold female”. For Brod, she is “an especially fragile and naughty girl” bringing “an evil enchantment”, “followed by a painful awakening.” Mann concludes that, ultimately, Masereel’s hero “has had enough of love” and needs to separate “the practical man”, decided to control his life, from “the intellectual and imaginative man”.
author Droixhe, Daniel
author_facet Droixhe, Daniel
author_sort Droixhe, Daniel
title Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933)
title_short Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933)
title_full Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933)
title_fullStr Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933)
title_full_unstemmed Paratextual Masereel and Love Trap. When Thomas Mann, Max Brod and Herman Hesse Were Reading Graphic Novels (1927-1933)
title_sort paratextual masereel and love trap. when thomas mann, max brod and herman hesse were reading graphic novels (1927-1933)
publisher Interfaces
publishDate 2025
container_title URI:https://journals.openedition.org/interfaces
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/13p0p
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/9767
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