British Portraiture from 1750
This guest-edited issue of Interfaces originated in the international conference on British portraiture that took place in Bordeaux in September 2021 as a result of the collaboration between the University of Toulouse Jean Jaurès (C.A.S.), the University of Bordeaux Montaigne (C.L.I.M.A.S.), the Mu...
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| In: | URI:https://journals.openedition.org/interfaces, |
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| Main Authors: | , |
| Format: | Article ou chapitre numérique |
| Language: | Anglais |
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Interfaces
2024
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition |
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openedition-oai:revues.org:interfaces_8360 https://doi.org/10.4000/122dx urn:doi:10.4000/122dx en https://journals.openedition.org/interfaces/8360 2024-07-20T02:00:00Z info:eu-repo/semantics/openAccess introduction info:eu-repo/semantics/article urn:handle:20.500.13089/122dx https://creativecommons.org/licenses/by/4.0/ British Portraiture from 1750 This guest-edited issue of Interfaces originated in the international conference on British portraiture that took place in Bordeaux in September 2021 as a result of the collaboration between the University of Toulouse Jean Jaurès (C.A.S.), the University of Bordeaux Montaigne (C.L.I.M.A.S.), the Musée du Louvre and the Fine Arts Museum of Bordeaux (MusBA Bordeaux). It explores portraiture as an artform that gained prominence in Britain in the 18th century, and extended beyond its geographica... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Adrien, Muriel Delyfer, Catherine Spencer (Stanley) portrait Pline l’Ancien Grande-Bretagne Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titien Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) manuel de dessin Spencer (Stanley) portrait drawing manuals Pliny the Elder Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titian Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) Great Britain |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Spencer (Stanley) portrait Pline l’Ancien Grande-Bretagne Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titien Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) manuel de dessin Spencer (Stanley) portrait drawing manuals Pliny the Elder Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titian Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) Great Britain |
| spellingShingle |
Spencer (Stanley) portrait Pline l’Ancien Grande-Bretagne Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titien Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) manuel de dessin Spencer (Stanley) portrait drawing manuals Pliny the Elder Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titian Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) Great Britain Adrien, Muriel Delyfer, Catherine British Portraiture from 1750 |
| description |
This guest-edited issue of Interfaces originated in the international conference on British portraiture that took place in Bordeaux in September 2021 as a result of the collaboration between the University of Toulouse Jean Jaurès (C.A.S.), the University of Bordeaux Montaigne (C.L.I.M.A.S.), the Musée du Louvre and the Fine Arts Museum of Bordeaux (MusBA Bordeaux). It explores portraiture as an artform that gained prominence in Britain in the 18th century, and extended beyond its geographica... |
| author |
Adrien, Muriel Delyfer, Catherine |
| author_facet |
Adrien, Muriel Delyfer, Catherine |
| author_sort |
Adrien, Muriel |
| title |
British Portraiture from 1750 |
| title_short |
British Portraiture from 1750 |
| title_full |
British Portraiture from 1750 |
| title_fullStr |
British Portraiture from 1750 |
| title_full_unstemmed |
British Portraiture from 1750 |
| title_sort |
british portraiture from 1750 |
| publisher |
Interfaces |
| publishDate |
2024 |
| container_title |
URI:https://journals.openedition.org/interfaces |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/122dx https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/8360 |
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1877292352647725056 |